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Professional Art + Illustration
Since The Flying Trilobite's inception in March 2007, I have found support and resonance from the science, secular and artist communities online. I continue to be available for freelance art and illustration. My work has been featured on numerous blogs in the past couple of years as examples of the intersection of art and science.
Glendon Mellow: Art in Awe of Science, my professional portfolio can be found here.
The Flying Trilobite Reproduction Shop can be found here.
January 2010, I attended ScienceOnline2010 and was involved in two sessions. I led a workshop introducing the versatility of digital tablets and the program Gimp. Also, with session co-leader Felice Frankel, we discussed our topic, Push it 'til it breaks: what are the limitations of visual metaphors?
An interview and 4 illustrations appeared in the new coffee table book, Geology in Art: an unorthodox path from visual arts to music for geologist and trace fossil artist Andrea Baucon for his. You may preview the entire book at the link.
Beginning in the fall of 2009, I began a series entitled Going Pro at the group paleo-art blog Art Evolved. My aim is to discuss with new illustrators some of the lessons I have learned so far in my career.
Published in Fall 2009, my illustration of an Ent from can be seen in issue #48 of Mallorn, the journal of the Tolkien Literary Society.
The group paleo-art blog to which I belong, Art Evolved, was featured in a two-page spread in the September 2009 issue of EARTH Magazine, the publication of the the American Geological Institute. The issue included my Mythical Flying Trilobite Fossil III as one of four illustrations from the Art Evolved members.
The Flying Trilobite was included in an article entitled Blogging Evolution by Adam Goldstein for the journal Evolution: Education and Outreach as an example of "imaginative" blogs about evolution. Other blogs featured on the list od evolution-education included Pharyngula, Why Evolution is True, The Loom, The Beagle Project, and many more excellent blogs.
In May 2009 I completed a blog banner commission for Migrations, a blog about science, society conservation and migration patterns.
Also in May 2009, I took part in SciBarCamp Toronto and moderated a session entitled, "Can art benefit science?"
The popular Darwin Took Steps is now appearing on a book of science philosophy, entitled La Mente di Darwin, ("The Mind of Darwin") by Andrea Parravicini, and published by Negretto Editore of Milan.
In early 2009, my Darwin Took Steps image was seen on the cover of Secular Nation magazine, and I was interviewed in a podcast about it. This image has been quite popular, and was included as part of my contribution to the cover of Open Laboratory 2008, an annual science blogging anthology. I also donate a portion of the sales of t-shirts, cards and prints of the image to The Beagle Project.
In January 2009, I attended Science Online '09 in North Carolina, U.S.A. In the unconference format, I moderated a session about Art & Science, and co-moderated an online-image workshop with artist-biologist Tanja Sova.
In November 2008, I produced a poster for PZ Myers' Toronto lecture, hosted in part by The Center for Inquiry Ontario.
Summer 2008, I completed a blog banner for The Meming of Life , a secular parenting blog.
I was commissioned to produce a new blog banner for the Scienceblog, Of Two Minds , as well as the online ‘zine The Eloquent Atheist . Unreal trilobites with insect or bat wings have been a part of my work for over 12 years now and I have painted some of them on pieces of shale, as in this interview on Page 3.14 with Virginia Hughes .
With my drawings and paintings, I seek to increase our metaphorical vocabulary using the discoveries of science, particularly biology and palaeontology. The genius of representational painting, epitomized by the Renaissance masters, the Symbolists and a handful of Surrealists has never had a more apt time for inspiring wonder in humanity than during our modern scientific age.
Why use Odin to portray wisdom when I can paint Darwin?
Why paint flowers when the beauty of the structure and oxygen produced by diatoms is so compelling?
Regard the resilient stony success of the legions of trilobite species waiting in the rocks. Ready to spring forth into our imagination, taking flight in my mind. They are the mischievous goblins underground, pointing the path to the richness of Earth's history. I can stand here, separated by 550 million years and look at this long dead animal and understand some things about it. I can imagine adventures for it. How can I not? It is a responsibility I delight to indulge in. The absurdity of unimaginable time and my eyes and hands crafting an image of a fossil while flying in a plane still makes me laugh.
I have studied Fine Art at York University, majoring in art history, drawing and oil painting. The Symbolist era of fin-de-siecle Europe inspires much of the aesthetic of my work. The urgency of Symbolist artists such as Fernand Khnopff, Odilon Redon, Arnold Böcklin, as well as the Surrealist Frida Kahlo, appeals to a dark sense of the world, with fragments of hope. The imagination found in faery artists like Arthur Rackham, and current illustrator Alan Lee are delightful, and shaped much of my early work.
A bit more about me...
I was born under a cabbage leaf in the summer of 1974, covered in stork feathers and placenta. I’m inspired by evolution and biology to create my paintings. I’m particularly fond of Naples Yellow. Delicious looking colour, and not healthy at all.
I live in Toronto, Ontario, Canada with my wife Michelle and our hermit crab Shiny and school of neon tetras collectively known as Roger. I love to sketch at the Royal Ontario Museum.
In 2008, I also had one of my Mythical Flying Trilobite Fossils tattooed on my arm.
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.
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