Lungs + Blogs + Flying Trilobite accolades

After posting about my own experiences with my asthma and flying in airplanes, the conversation continued in other blogs.

Blue Collar Scientist produced an insightful and shocking post about asthma, it's links to suicidal thoughts, and school policies that lead to tragedy. Ensuing comments and posts over at Blue Collar Scientist's blog led to me garnering a weekly comment award when I assume Mr. Scientist hadn't had enough sleep after staring at nebulae for too long.

A similarity in maintaining our lungs was found between Zach of When Pigs Fly Returns and myself, in that both of us thank our wives for their support in maintaining our bronchioles. Zach has written a revealing post about living with cystic fibrosis. Go for the lungs, stay for the dragons. No really, keep scrolling down until you start finding this impressive artist's dragon sculptures.

Have an asthma or lung-related story? Give one of our posts a link, and continue the conversation.

Elsewhere, some splendid things were said about my art. I love being included as an "internet wonder", so thanks to Splendid Elles. This atheist and skeptic is kinda off the wall and has her own opinions. I like blogs that don't act as mouthpieces for other blogs.

My new shale puzzle-painting has caught the calcium-carbonate compound eye of eTrilobite, who thought it was one of the three best articles read this week - and I've barely started! High praise indeed from another accomplished paleoartist. Spend some time at eTrilobite, won't you? Walcott's Quarry is great fun, and you can shop for author-artist Trilobite's amazing paleo-themed clothing.

The Flying Trilobite is sometimes also popular in other languages. Nifty! Le soledad del excentrico has me on their blogroll. Also, I was added to the feast on The Neural Gourmet's blogroll. *beaming*

If this keeps up I will continue to become a better and better artist. We have to feed our over-inflated egos to produce our best work. *wink*
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All original artwork on The Flying Trilobite Copyright to Glendon Mellow. The contents of this blog are under a Creative Commons Licence. See sidebar for details.

Artwork Mondays: Untimely Rabbit

For this Artwork Monday, I thought I would start off in a different direction on an idea I've had on the back burner for a while. (Back burner? Who says that? Perhaps a more modern saying should be coined. Like, "I've had this marinating for a while," or, "I've had this painting waiting to be rolled in seaweed for a while." Ahem.)

I like to paint some of my Mythical Flying Trilobite Fossils on pieces of shale, as seen in my Page 3.14 SEED interview last year (shameless self-aggrandizement!). This painting will be a little different, and I hope lots of fun for the viewer, especially those who see it in person. (Sorry bloggy folks!)

When I was reading the excellent, brilliant, those-who-find-flaws-or-use-the-word-militant-obviously-didn't-read-it, The God Delusion by Richard Dawkins, for the first time, I was struck by a quote of the late biologist John Burdon Sanderson Haldane. When confronted by a creationist, asking what it would take to falsify Darwin's theory of evolution by natural selection, Haldane replied, "Fossil rabbits in the Precambrian".

Okay, this photo might be a little hard to make out, but here's a sketch of a hare's skeleton on nine pieces of paper. I may put in an "imprint" to suggest long ears on the final paper. You see, I have these 9 beautiful shale drink coasters from Pier 1 Imports that will make a terrific shale puzzle.

"What!?" you may gasp, "has that Glendon-trilo-mellow-yellow guy lost his rigorous, scientific outlook?" Or you may say, "who? oh the Darwin-staircase guy, yeah what?"

No, silly. The creationist-configuration will prove to be false.

It's a puzzle. And if I piece it together this way...
...you can see there are numerous green trilobites sketched in. The shale pieces will have two configurations, the "false-rabbit" and the 'true-trilobite". I may emphasize the point by putting in some simple math that only works correctly the one way. Or I could paint the rabbit bright pink, but that may upset some people, since it is a blessed colour.

This piece I will likely dive right in and begin painting. I've used a clear, acrylic-based gesso to prime the shale pieces, and I'll start with the rascally rabbit.

While you're waiting for me to pointen my brushes, check out Heather Ward's birdies, drop by the Daily Mammal, or see Bond's scintillating Tsintaosaurus.
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All original artwork on The Flying Trilobite Copyright to Glendon Mellow. The contents of this blog are under a Creative Commons Licence. See sidebar for details.
Book in the background of top photo is an excellent reference, Skeletons by Barbara Taylor, Firefly Books. The book in the bottom photo is the indispensable Fossils by C. Walker & D. Ward, Dorling Kindersly Books.

Flying & Asthma

The Flying Trilobite already receives a lot of pageviews due to a steady stream of people searching about being an asthmatic and flying (in an airplane, I presume). I thought it may be somewhat useful for me to therefore pen a post on the subject. The reason so many asthma-sufferers find this blog, I believe is because of the post I did of a drawing called, Asthma Incubus back in May of 2007.

If you are reading this blog for the first time, then welcome! Drop in for the asthma, stay for some paintings inspired by the awe of modern science. I am an artist living in Toronto, Ontario, Canada. Please don't be frightened by the atheism. With atheism comes a healthy dose of skepticism, which you will need if you are suffering from asthma and don't know where to turn next. And anyway, the way I see it, when it comes to asthma relief, it just means instead of thanking god(s), I thank the fine scientists, pharmacists and chemists that have helped save more lives than prayer ever has.

Without skepticism someone may try to wave their hands over you or ask you to carry a small doll to cure your asthma, and while both could be entertaining, you and I both know it's hard to laugh when your lungs feel like they weigh 200 pounds and are made out of bags of rusty harmonicas.

So to begin: a caveat, a warning, a caution. I am an artist, not a medical respirologist. If you are looking for relief from your wheezy lungs, I strongly, mightily urge you to seek out a "Western" medically-trained respirologist and asthma clinic that keeps up on the latest advances in drugs to ease your lungs back into contributing members of your chest cavity. All I will share in this blog are anecdotes, individual stories about asthma, which is not how you should make a diagnosis! Medicines and remedies using double-blind, empirical and statistical trials are the ones to trust. Your respirologist will know which ones. I would also suggest checking out The Asthma Society of Canada for some up-to-date "'evidence-based', market-tested, " information on a regular basis.

Also to begin: some reassurance. I am a skeptic, and I will not try to sell you on the idea of water-pills, drinking urine, homeopathy, acupuncture, taking something just because it is "all-natural", or rearranging mythical chakras. If people seriously think they are helping you with this advice, I would strongly advise you to laugh, ask them to explain further, laugh some more, and do nothing they tell you to treat your asthma. If you are unsure of whether something someone suggests is pure nonsense or not, look for information that has piles of trustworthy studies behind it. To get you started, check out The Skeptic's Dictionary, particularly under "Alternative Medicine".

Oh, and get your children vaccinated too. It doesn't cause asthma, and will save their lives.

So, flying with asthma.

I have flown a number of times in my life so far, probably about 8 trips there and back again. As I said, I live in Toronto, and I have flown as far away as Aruba and Calgary, some 6 or 7 hours at a stretch. I have taken numerous shorter flights from Toronto to Montreal on a variety of airlines; Air Canada, Westjet and Porter, small planes and large ones.

My asthma has been diagnosed as "brittle", though that seemed to be a mistake; I have never fallen unconscious, even in my worst heart-pounding, suffocating moments. The most recent diagnosis was "moderate persistent asthma".

I haven't had any trouble flying with asthma. Whew! I know, all this preamble to find out you should be okay! Modern planes are pressurised so the air will not be thin as you fly up to 35'000 feet. A smaller plane, you may feel light-headed I guess. I have hiked in the Blue Mountains of Virginia before up to 4'000 feet, and I could still breathe and carry a 60 pound backpack.

Flying in a plane is exciting, and I am not jaded by the experience yet. So, sometimes I will need to take a puffer during the duration of the flight, but ask your doctor, or use your own experiences to see if this is necessary. For myself, I do not experience any sudden tightening of the chest, and I suspect I may take it in those moments larger as a psychological comfort. Perhaps the next time I fly I'll skip it if I can and see how it goes.

Most puffers are pressurised canisters, and there seem to be no negative effects on these in a plane. They do not explode or leak. Again, a pressurised cabin would give the canister a steady barometric pressure, and it will function as though you are on the ground. Take your medications in-flight with you in your carry-on luggage. Be comfortable, and relax. Get a window seat and enjoy the flight.

Currently, I take two medications to treat my asthma. One is preventative, and another for fast relief in moments of distress. A while ago, I switched away from a ventolin inhaler to Airomir, and I find I am sleeping better at night. I recommend it. (Ask your doctor!) My wife also informs me that I am not jerking my full body in my sleep anymore the way I used to once a night. There are a lot of options on the market, and you should work with your respirologist to see what works for you. A new medication, which I will not name, gave me some anxiety attacks when in combination with another puffer. My doc said it happens in a small samples of patients, about 5% of cases. So I switched.

I hope this has been helpful. Asthma is manageable, and sufferers have many options to help nowadays. If, however, I am wrong and there is some folklore I do not know about and people are finding this blog to learn about flapping their arms like Icarus and flying while suffering some asthmatic-like effects afterward, I have only one response.

"Umm."
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All original artwork on The Flying Trilobite Copyright to Glendon Mellow. The contents of this blog are under a Creative Commons Licence. See sidebar for details.

Artwork Mondays: reference & when not to use it

The revamp of my Dimetrodon-Sphinx concept from over a decade ago continues. The original drawing is below, and is part of a larger drawing seen here.

And below, is where I am so far.

To reach this stage, it was important to use a lot of reference. A part of this exercise was to see how much I may have improved. A lot of that improvement likely comes from using references, such as a model for the woman's body, and looking at other artists' representations of living dimetrodons for the back-half. As well, I used these two photos I took last summer when visiting the Royal Tyrrell Museum.












(Actually, I'm not sure that the one on the left in the left-hand photo is actually a dimetrodon; the head seems to be quite a different shape. A pelycosaur nonetheless. )

There is still some work to do. I thought I might be able to complete the drawing in time this week.

I struggled a lot with the hair. I tried tiaras, an Egyptian sphinx headdress, no hair, tight curls, messy hair whipping in the wind, and even the bob on the one in the original. Eventually I decided to go with slick wet hair, as I could be fun to paint this as a rainy scene.

The mouth and lips are way off, and will need some work, and I messed up the left hand. One of the ways many artists' check the progress of a composition or the realism if a piece, is to flip it:

This allows some mistakes to jump out, and gives the familiar pencil strokes a foreign eye, as a viewer will likely have for the first time they see it. Looking at the piece in the mirror is one way, and using Photoshop is another great way to try this technique. Remember though, that no face or body is perfectly symmetrical, not even Pac-Man's. (Look close, you'll see his left eye is 1 pixel closer to his nose than his right.) I think the Sphinx's hair could be more ropy and knotty.

Looking at the lone dimetrodon above, I can see there are about 24 of the long vertebra supporting the sail. My Sphinx's pretty back is not long enough to support quite that many, so here is a point where reference and I part company. Another is in the feet. When I was at the Royal Ontario Museum's Darwin exhibit recently, I was reminded of how fascinated I am by the irregular-looking toes of an iguana. And so, I abandoned the realism of a dimetrodon's no-doubt noble foot, in favour of the broken-looking toes of the green iguana. And to top it off, I didn't use a reference *gasp*.

This piece seems to evoke a night-time feel to me, and so I began roughing in some rocky shapes in the background, and darkening the sail to illustrate the translucency and rock silhouettes showing through. Last week, I spoke about the possibilities of camouflage. Now, I think any colouration choices would have to wait for me to paint the piece.

Will I add colour? It's at the right stage for it. A scan and print onto canvas-paper and I could apply my oils. There's some great tips on colouring and texturing using Photoshop in ImagineFX, a magazine I just picked up a couple of weeks ago. However I've spent longer on this drawing than I thought I would over the last few Artwork Mondays. Next week, it may be time to move onto something new.
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All original artwork on The Flying Trilobite Copyright to Glendon Mellow. The contents of this blog are under a Creative Commons Licence. See sidebar for details.

Guild of Natural Science Illustrators Conference

There's a slew of gorgeous posters created by the talented members of The Guild of Natural Science Illustrators for the upcoming conference in July. Although I have not attended one of these conferences yet, I think the results of these lush, gorgeous and scientifically accurate artists speak for themselves.

If you are a new artist, up-and-coming, or established and need of some new techniques, get yourself to Ithaca and learn from these modern masters.

I often wonder if in a hundred years' time the art world will look back on pieces like these and marvel at their (sometimes) unrecognised value in the face of post-modernist navel-gazing. Their artwork is all the more relevant to anyone amazed by the vanishing biodiversity on our planet.

In particular, check out the work by Heather Ward (the coral reef begins!), Emily Damstra, Gina Mikel, Barry MacKay, and...aw, heck, prepare yourself for beauty and strangeness that only the real world can deliver by going to the Guild's image bank, or check out the links in my blogroll. Grab a coffee and croissant, and spend an hour this weekend marvelling.

And be responsible folks: these images are under copyright, and these folks earn their bread producing images to help scientists, medical professionals, teachers and students understand the world better. Be sure to contact artists about creating illustrations for use before cribbing them off the net!

Look over there!

Considering the Dimtrodon-Sphinx subject of my inaugural Artwork Mondays series, I had to share this.

Artist Zachary Miller is throwing out one of life's biggest "why?" questions, that only science, and not religion can answer: Why did some organisms develop sails? Head on over to When Pigs Fly Returns and throw in your speculative 2 cents.

While you're there, make sure to check out Zach's magnificent dragon sculptures and keen scientific descriptions, as well as his reconstructed tyrannosaur skull!
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All original artwork on The Flying Trilobite Copyright to Glendon Mellow. The contents of this blog are under a Creative Commons Licence. See sidebar for details.

Artwork Mondays: Graphite Camouflage

Graphite is an amazing substance.

Chemically speaking, it is similar to diamond. Pencils have never been made of lead, but graphite was once known as "white lead", or plumbago which is Latin for lead ore, so that's why we have the modern confusion. There's some interesting, but not fully comprehensive stuff on good ol' Wikipedia about pencils and the magical material, graphite. Little "sheets" of it rub off and onto the paper with friction, leaving smudgeable marks. Graphite will not harm humans. Unless you do that annoying flicking the pencil between all your fingers, in which case it's game on.

The last couple of Artwork Mondays, I've been revamping an old concept of mine for a Dimtrodon Sphinx (at right), which was a detail of another drawing.

I'm using a .3mm mechanical pencil, as well as a more standard 2mm pencil for the larger areas. Both are packing HB leads; a lot of artists like softer (think B for black) or lighter (think H for hard) leads, but I like how easy it is to get a hold of HB. It's in the middle of the spectrum, and easy to shop for. The grey piece of putty-stuff is my wonderful kneadable eraser. Kneadable erasers can be shaped to erase in any nook and cranny, and leave no little eraser bits behind on the page. Brilliant. I used the same materials on the original (above), which I tinted blue using Photoshop for the sake of whimsy.

This has been a busy week for me and I did not make a lot of progress on this piece. However, I did decide to go with a slightly different reference photo than what I started with. It's always important to try different lighting, and when I took the model photos, I took two of each pose, one with the flash, and one with natural light coming from the window behind and to the right of the model. This week, I made a decision to switch to the latter.

I was reluctant at first, since this model has an excellent back, and the flash-lit photo showed that more clearly. However, being backlit can lend the piece the lighting of a full moon, or perhaps lightning which works better at making this beautiful half-human, half-dimetrodon sphinx look like a dangerous predator.

Needing a background, I started roughing in some rocks, and a scraggly tree to the left. I may try to make the sail-fin on the back partially translucent, with the silhouette of the rocky background darkening the fin near the spine.

I'm also debating with myself about whether or not this homo-synapsid will have hair; I've begun sketching a second sail on her neck and head. The sail makes her more "other" and alien, and hair makes her more beautiful and accessible for most viewers to immediately engage in. I'm currently leaning toward hair whipping in the wind.

Although the leading theories say that dimetrodon, edaphosaurus and the much-later-on spinosaurus may have had sails for thermal-regulation, I believe they must also have been there for sexual display, much like a peacock's tail. In nature, large flamboyant features with no immediately obvious use often turn out to be the result of sexual selection pressure. If this is so, what colour or pattern would be present? Since anything I choose will be speculation, there is a lot of freedom here.

In the inspiring book, The New Dinosaurs, by Dougal Dixon, artist Philip Hood depicted a creature called a Dingum, a small hopping, fuzzy creature with a spiky frill and a sail-fin on it's back. The interesting feature the artist added, was a pattern like that of a monarch butterfly on the sail-fin. As I say, there is a lot of freedom for an artist here.

Because the synapsids like Dimetrodon are more closely related to mammals than any other modern beasties, I'm leaning toward some sort of mammalian pattern to make it interesting. Perhaps an orca? Doubtful it would need that type of camouflage, since orcas, like penguins and herring gulls have evolved dark on the dorsal so animals looking down through the water at them are less likely to see them against the depths, and vice versa when looking up at their backlit ventral side. However, that type of colouration seems exciting, even if a cheetah pattern or tiger stripes are more likely. It's just that leopard print is like, so late 90's.

Orcas, baby. I'll see if I can finish this drawing in time for Artwork Monday next week.
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All original artwork on The Flying Trilobite Copyright to Glendon Mellow. The contents of this blog are under a Creative Commons Licence. See sidebar for details.

Artwork Mondays: The Right Pose

Welcome to the second Artwork Monday here at The Flying Trilobite!

Rehabilitating an older concept can be a fun endeavour. It is rare that I do not have a new idea that I want to try out, but on the few occasions it has occurred, I find the best way to inspire myself is by flipping through old sketchbooks. One of the biggest worries I think most artists share is living long enough to get all their ideas out.

Currently, I have about 8 more new concepts waiting to see fruition, but reviving this older drawing seems really appealing. I'm curious to see how much my drawing skills have matured over the past eleven years.

After the rough sketch last week, I knew part of my focus would be to show off how my life drawing abilities have matured. The model pose I used last week didn't seem satisfying though. I wanted this Sphinx to look predatory. The dimetrodon was an ancient pelycosaur that was probably the apex predator of the Permian, living just before the worst mass extinction of all time.

The Sphinx is supposed to be an ancient creature who guards secrets, and is famous for the riddle, "what walks on four legs in the morning, two legs in the afternoon, and three legs in the evening?". An interesting and more modern riff on this riddle was in my Favourite Book of All-Time, The Stress of Her Regard, by Tim Powers. The answer had to do with the amount of atoms in carbon and silicon.

Together, the dimetrodon and sphinx appeal to me, since both are ancient creatures, and using the dimetrodon in lieu of a lion makes a good example of how re-imagining the mythological past can be enhanced by modern scientific understanding. One of the reasons I feel compelled to create at all is to use the rich visual language science affords us to look at ourselves in light of the past and of reality as we understand it to actually be.

There really is no excuse as an artist not to do research in this day and age. The internet has some generally reliable sources; libraries and bookshops are teeming with full-colour pictures; digital cameras, photocopiers and scanners abound. Sure it takes away a small but of spontaneity to do some research, but in the end, it is worth it. What you will have is a fantasy image, culled from real life, and real human bodies often move in ways your mind does not expect, especially if you've watched a lot of cartoons.

One of the best ways to do research, is to go out and photograph your own images and use those as reference. Scientific Illustrator Heather Ward, who blogs at Druantia Art has some tips.

After finding a suitable pose, I drew this image. I think it is a more dynamic pose than the one I mused with last week, and the figure turning over her shoulder will hopefully lend that predatory air, especially if the face is largely in shadow, with glittering eyes. So far, I'm not too happy with the rendition of the face, so I will likely re-work that altogether. I'm pleased with the back though, and I think the foreshortening of the arm has turned out rather well.

The next phase will be to begin joining up an appropriate dimetrodon body to this one. If you followed the Wikipedia link about dimetrodons, you'll note that there were distinct species, with markedly different sails and jaws. I won't refine this sketch any further until I see where and how the sail-fin attaches to the back of the woman above.

Thanks to everyone on the comments last week! I love the feedback.

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All original artwork on The Flying Trilobite Copyright to Glendon Mellow. The contents of this blog are under a Creative Commons Licence. See sidebar for details.

What do you read outside?

Spring in the city! The last few days, I've stopped in Trinity-Bellwoods Park on my way home from work, and read a chapter or three of Parenting Beyond Belief, edited by Dale McGowan.

There is something satisfying about reading outdoors in the sun. I pass through Trinity-Bellwoods usually twice a day on my 30 minute walk. I've mentioned the park before, and here are a couple of even better pics of the stunning little albino squirrel, having a snack with a friend.

Parenting Beyond Belief is an excellent book I found out about backwards, through reading the editor-author's blog, Meming of Life. Dale McGowan is entertaining and informative, and also heartfelt. He knows how to mix appealing anecdotes with research, so the literary calories are not hollow.

Here in Toronto, Chapters/Indigo/Coles/World's Biggest has it listed in their system, but I can't seem to find it. A new Book City moved in, and were happy to have it delivered to the location on my walk home. Nice! The sales consultant thought it looked pretty interesting too.

It's easy for me to pick a favourite in this book. Teaching Kids to Yawn at Counterfeit Wonder, by Dale McGowan. I like anything by McGowan in particular. Even the endnotes can be entertaining.

There are science experiments you can do with kids. A beautiful letter to his daughter by Richard Dawkins, whose writing has inspired much of my painting in the past. Essays on how to deal with concepts of death with your children (and for me - this was good stuff).

This is not a ponderous, heavy book, and is not meant to be. It is a nimble conversation-starting book, a catalysing book, a deeply interesting book. It does not matter if you are atheist, Bright, religious-but-liberal-and-a-little-lapsed; a parent of adopted or natural children, an educator, or involved in some young person's life.

Never quite understood the fuss about evolution? Chapter 8: Jaw-Dropping, Mind-Buzzing Science has the easy explanation of what Darwin discovered. Order this book, and while you're waiting for it to arrive, read The Meming of Life.

There is something a little sublime when sitting below a massive, twisty old tree, reading an excellent book while the sun is shining, buds are slow-mo bursting, kids are on bikes, dogs are lolling on their backs in the grass, and you have a bottle of blueberry-green tea.

Spring is back. What have you read outside? What do you plan to read?

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All original artwork on The Flying Trilobite Copyright to Glendon Mellow. The contents of this blog are under a Creative Commons Licence. See sidebar for details. Squirrel photos by Glendon Mellow. I tried not to hound the little guy; this was taken from a distance. It's a squirrel, ya gotta be respectful.

Artwork Mondays: Revamping the Past

The poll is closed, and so I will be posting artwork now every Monday. (And for the couple of people who voted for bunnies, over the next few weeks, I'll have something special for you. Wink, wink!)

The artwork I post on Mondays will likely be a mix of sketches, past artwork revisited, and new works-in-progress. Time can lend new dimensions to pieces, and this is something worth discussing as well. Perhaps we can do a critique now and again, where I step aside for some initial comments from you, the viewers.

To start the artsy Mondays off, I thought I'd revamp an older drawing. Over the next couple of weeks, I'll share some updates on this piece of art. Here's the original drawing, a detail from my 1997 drawing, Lord Extinction Yawns:
I've tinted it blue here, but it's actually plain ol' graphite of the HB persuasion.

Back in 1997, I was in University studying Fine Art and was drawn more and more to the fin-de-siecle, The Symbolist period of the 1890's. To give an idea of that period to people unfamiliar with it (but by no means a thorough explanation), the Symbolists were the artists still in love with the past. While the Impressionists made great strides in optics and colour, innovating new ways to paint, the Symbolists clung to classical and Renaissance ideals. Symbolist work was often very realistic, and illustrated incidents from classical Greek and Roman mythology and Biblical stories. A general feeling was the the Symbolists were afraid of the end of their century, and of the dawning Industrialism heading into the last century of the millennium.

Their fear of the future was not what fascinated me, although I often wondered if all the "x-treme" sports in the late 1990's were tied to a similar feeling of being afraid of tomorrow. In particular all the peculiar beasts such as the Sphinx-Muse in Fernand Khnopff's brilliant The Caress fascinated me. Here were images from the old myths, newly informed by realistic illustrations of cheetahs, anemones, and New World parrots. Part-human, part-other creatures have drawn the eye since artists first started synthesizing the beasts.

Post-university, I still find a major portion of my work influenced by depicting part-humans with something earlier from Earth's biodiversity-parade. Why not the Permian? The Cambrian? How will we see ourselves anew, in the light of beasts we have no historical symbols invested into?

The woman above is a Sphinx, but not part-human, part-lion. At the time I modelled her after a dimetrodon instead of a lion. An apex predator fittingly older than the Sphinx itself.

And so I thought I'd see where I am, just over ten years' removed from that drawing. Here is a preliminary sketch of the new drawing I will produce in my spare time over the next few Artwork Mondays:

Hmm. This pose is a little too side-on, although I'm fond of the shoulder. Perhaps I'll have our Dimetrodon-Sphinx looking over her shoulder at us. Dark and predatory.

This sketch is out of my head, with a look at a photo to get the back and shoulder right. To begin, I'll use some photo reference, a model, and my trusty .3mm mechanical pencil. Trusty being a relative term; I love the .3mm, but it always jams like a reluctant hyperdrive when I need it for the delicate stuff.

I'm not sure where this piece will lead. Painting? Coloured-drawing? Love the concept, dislike the execution? Hate it and find it derivative? Please voice your opinion, throw tomatoes or inflate my ego by leaving comments. And thank you once again for those who voted in the poll.

Welcome to The Flying Trilobite's Artwork Mondays!
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All original artwork on The Flying Trilobite Copyright to Glendon Mellow. The contents of this blog are under a Creative Commons Licence. See sidebar for details.

Darwin: The Evolution Revolution - review

(This review was originally written for The Beagle Project Blog, and the request to review the show was made by Humble Woodcutter of The Free Range Academy.)

Darwin: The Evolution Revolution at the Royal Ontario Museum

Posters of a man in black and white, a green iguana, and bright pink orchids abound in transit shelters across Toronto. Darwin: The Evolution Revolution exhibit is on at the R.O.M., my hometown’s museum that has caused so much buzz in the past year after being “crystallized”.
To introduce myself, my name is Glendon Mellow, and I am honoured and thrilled to be writing this review for The Beagle Project Blog. I am an artist in awe of science who lives in Toronto, Ontario, Canada, and I blog at The Flying Trilobite. Pictures were not allowed in the exhibit, so I have done my best to provide.

Exhibit
By following a chronological look at Darwin’s life and achievements, the exhibit seduces and beguiles using only facts. He was an ordinary man, albeit with the foibles, interests and intelligence that made it possible for him to think deeply on the natural world, and much time is spent on this at the beginning. The exhibit pulls no punches with evolution by natural selection later in. In that matter-of-fact, writ-large-with-no-punctuation way that museums do so well, evolution as a proven fact is stated again and again. As it should be.

As a visual kind of guy, let me give you the rough sketch of what the exhibit feels like. The exhibit is below ground, under an overhang in the R.O.M.’s Staircase of Wonders; the overhang is perfectly suited, as it displays “Mammal Weaponry” with everything from antlers to a narwhal tusk. The main portion of the exhibit features darkly stained wooden glass cabinets. Small curios featuring antique magnifying glasses of interesting construction dot the exhibit, each enlarging some beetle or hummingbird or plant or fossil. The piece that most struck me with a shiver of Darwin’s presence included a small drawing of Leptura quadrifasciata in a letter to his cousin, inscribed, “the insect is more beautiful than this drawing”. (I could go on and on about an 1840 lithograph by George Scharf of a Toxodon platensis skull fossil, but I really shouldn’t.)

To me, the importance of information in a museum is paramount, and this exhibit delivers. You can catch brief titles, or spend a couple of hours looking over everything. As I have often observed at the Toronto Zoo, it is amazing how some people have opinions on displays without first reading them. At the diorama of the Galapagos seashore, which features robustly stuffed marine iguanas and a couple of green iguanas, I over heard one young man ask his girlfriend, “Those real?” to which she replied, “Yeah, but they’re like dinosaur-age iguanas”. They then moved forward to read the placards.

There are so many things I did not know: I had no idea he discovered Megatherium; was related to the Wedgewoods; or argued his Captain about the immorality of slavery and was almost left on shore because of it. I hope the curators are quite proud of how this exhibit came together; it is a treasure. Live frogs, an iguana, tortoises, orchids, venus fly-traps, fossils of Pleistocene megafauna, skeletons of bats, primates and the homology of forelimbs feed the eyes and entice the curious.

Reactions
“I wish this guy was still alive; I’d introduce him to God.”
One stomping teenage girls’ commentary notwithstanding, the people I observed seemed to be curious and enjoying themselves. There are five short movies playing and three were well-attended, the last two being grouped so close together their sound overlapped. After hearing palaeontologist and trilobite-rockstar Richard Fortey say something to the effect of biodiversity being “…all the spiritual present in the world I need,” I overheard one patron utter, “Works for me.” A nearby wall about current controversies remained well-attended.

This video featuring Fortey was on a vertical flatscreen on a pillar near the large evolution by natural selection exhibit. It was set at an average person’s height, with the commenters’ addressing the viewers on their own level. It featured Francisco Ayala, Eugenie Scott, Niles Eldridge, Georgia Dunston and Kenneth Miller. The natural selection exhibit is clear and easy to follow. Evolution has been observed in the lab amongst bacteria, which reproduce quickly. The connection of slower, larger reproducers from eohippus to the modern horse is clearly made.

A child’s perspective
On this visit, my wife and I brought our six-year old nephew, who for the sake of his anonymity I shall refer to as Obi-Wan. An easily overlooked workbook is at the entrance, (in both official languages, mais oui) urging children to become Darwin’s assistant.

The booklet was terrific, starting Obi out by investigating the two tortoises and comparing their features. Many times our nephew Obi crouched down on the floor after figuring out what the answer was that he needed to finish another section. We received a lot of curious looks and some comments from passers-by. When Obi was filling out some true or false answers and he guessed at one, my wife pointed out that he shouldn’t guess, as he did not yet have any evidence. He was incredibly excited when he found the answer, and I feel that lesson may stick.

At another point, Obi was moved to draw abruptly, and asked to borrow my sketchbook so he could draw the dwarf armadillo on display next to the glyptodont. He spent about five minutes leaning against the angled placard, and drew this brilliant armadillo, starting with its detailed toes.

A video screen found in a few areas deftly illustrated natural selection better than my bungled attempt. It features bright orange and green bugs zipping around a background of green leaves. As the bird (clicking a button), Obi clicked the obvious orange bugs out of existence –almost! Then the screen turned the shade of orange as the orange bugs! The green ones are being eaten!

The kids’ area at the end was almost an afterthought, even with their version of The Beagle.

Conclusion
The exhibit is well-displayed and rigorous in its main points; Darwin was a normal, decent person; evolution by natural selection is true and makes sense; and though controversy remains, the natural world is deserving of the wonder Charles Darwin gave it. I highly recommend it, and hope it is indicative of the pursuit of displaying scientific truths about the natural world that we should expect from institutions such as the Royal Ontario Museum.

When I asked my nephew what he thought the skeleton of the chimpanzee hanging from the tree was, he studied it and asked, “a person?”

“Yeah, close!” I replied.

Darwin: The Evolution Revolution is on at the Royal Ontario Museum until August 4 2008.

All original artwork on The Flying Trilobite Copyright to Glendon Mellow. The contents of this blog are under a Creative Commons Licence. See sidebar for details.

Review over at The Beagle Project Blog

After being asked by the Humble Woodcutter of The Free Range Academy, I've written a review of Darwin: The Evolution Revolution on now at the Royal Ontario Museum for The Beagle Project Blog. And being me, there are some sketches. (Except for the iguana one which will never see the light of day.)

Grab some popcorn and check it out.

While you're over there, make sure to check out this worthy and noble endeavour, and think about a donation as well.

If the high seas make you queasy, I'll post the review here at The Flying Trilobite later today.

All original artwork on The Flying Trilobite Copyright to Glendon Mellow. The contents of this blog are under a Creative Commons Licence. See sidebar for details.