Showing posts with label portrait. Show all posts
Showing posts with label portrait. Show all posts

Wednesday, 1 June 2011

Inspiration+ Drugs - repost

(This post originally appeared in August 2008 here on The Flying Trilobite.  Lots of fascinating comments on that post too - check 'em out.  I thought I'd re-post it for new readers.  Comments and debate welcome.)- -
So here's the thing.

While in University, and continuing to today, I'll show somebody examples of my work for the first time, and I will hear, "Whoa, so just what are you onman? Must be some good s--t!"

Yeah, the good s--t is my brain. My creativity. My diverse range of interest and my hard-won madskillz with a pencil. My brain dwarfs other brains. And I can tell you why.


I've been attempting to write this post for a long time now. It's a hard one to write without sounding smug and preachy or after-school-special. So I'm just throwing it out there in plain language and not worrying too much about it.

I don't drink alcoholic beverages, and I don't do recreational drugs, and I follow no religion. Period. Never have, and likely won't. Over the course of an entire year, I maybe polish off one glass of wine divided up over New Year's, a random evening and my wedding anniversary. I should probably drink a bit of wine for the health effects. Keep meaning to do that.

Let me cut off some common assumptions at this point: I really really don't care if other people drink alcohol. It is not something I do, but I am not passing some kind of moral judgement on people either. In a free and open society, I am free to not drink and think you're cool. No need to explain to me how it's really good I don't drink, and you admire it, or to accuse me of accusing you of wrongdoing. Telling me my coffee-drinking is "at least something, kind of wimpy, but something," makes me laugh.

I don't drink or do drugs for a bunch of reasons, but here's one of the largest. As I emerged like a delicate, lumbering butterfly into my University years, I was asked "what I was into" more and more. And in my first year survey course of Western Art, we began talking about Hieronymous Bosch. Bosch did fascinating things, unreal visions of heaven and hell with the most unlikely structures made from the tools of alchemy. And a theory we were presented with, very popular and assumed to be true by my peers, was that ergot of rye in the fields near the artist were causing Bosch to experience the effects of very mild LSD.

Everyone nodded. Of course. It was instantly assumed this is where his genius and creativity stemmed from.

It was an outrage! An outrage because what if it wasn't ergot of rye? A great disservice to a great mind. It was an outrage because in my view, it smacked of complacency by my fellow art students. Wanna push your art further? Drugs. Worked for Bosch.

If it was true, than my mind would be unremarkable without intentional damage inflicted upon myself. No thanks. I needed to hold fast against the weak undercurrent of peer pressure and create fantastic, unreal images in the face of pure sobriety.

I'm not the next Hieronymous Bosch. I'm doing what I do. My body suffers from asthma, and I have some medications I take regularly, daily, along with a love for coffee. Throwing more into the mix will not help. One day, will someone cite my puffers as the source of my creativity? I hope it is not the case.


And I spoke above of my thoughts on alcohol, how do I feel about drugs?

I think they are kind of lame. (There I go, sounding like an after-school special.) I am especially weary of marijuana. It is so present and so popular now, you can't escape it at parties. And users always want to tell me all the scientific facts they know, about how it's no worse than alcohol, they only use it sometimes to fall asleep, I've studied it way more than you, blah blah blah. You know why it bugs me? Because alcohol stays in your glass and on your breath, but marijuana goes into everyone's lungs. Smoking marijuana is lame and selfish.

I am writing this post not to judge others, but to judge myself. Perhaps it is not an achievement to be visually creative without drugs, and this is seen as nothing more than a fearful person stamping their foot saying "I don't wanna". In my view, my brain dwarfs many other brains. My synapses are intact, my dendrites and neurons hum happily. This creativity is mine, and not the product of liquid or inhaled inspiration.

I'll reiterate, I really don't judge others by what substances they use for fun. Friends say I'm fun at parties. I simply get cross when someone gets pushy or insulting by wondering what drugs/alcohol/religion I am on, and won't believe I can live without those things.

Please feel free to disagree on this touchy topic, and make comments.

Oh, and cheers!

This week I am re-posting a few pieces previously posted due to the topic. In order, these pieces are entitled, from the top, Anthropomorphic GestationKnowledge Pupates, & Asthma Incubus.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

Thursday, 17 February 2011

Valentine Card

©  Glendon Mellow

This is the Valentine's Day card I made for Michelle this year.  The bottom image of the bumblebee is from the envelope. It's my first drawing of Calvin, based on the photos from when he was newborn.

My wife is awesome and now we have an awesome baby.


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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
Do not reproduce this image, please. Kinda personal, ya know?

Monday, 7 June 2010

Art Monday: sketches of Richard Dawkins











Various dates, pencil on bristol.

I haven't been able to fully capture a decent portrait of Richard Dawkins -yet- despite a few attempts. With the top drawing, I tried a technique I had read about and accidentally killed the whole thing. I drew the image on paper able to take oil (Fabriano's Pittura) and coated it in clear gesso, so that if I made an error, I could scrape and wipe with solvent and start over (2nd image). Didn't work.

Instead, these days I scan the pencil image, and print it out on Fredrix canvas paper (which takes ink jet so well, I wish they'd advertise that it does!). Then if I muck up the painting, I can just print out a fresh one.

No other author about evolutionary biology has fired my imagination than Richard Dawkins, starting with when I first read River Out of Eden.

Hopefully when I go freelance at the end of the summer, this could be one of my side projects. Now, I'm kind of seeing a combination of these drawings as a painted portrait: 3/4 view,
DNA-Candle on his head, looking down, open-smile.

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Monday, 17 May 2010

Art Monday: Retrospectacle Valkyrie drawing

Pencil on bristol, 2007.
Originally created as part of the commissioned Retrospectacle blog banner for Shelley Batts.
Seen
here, making of here, and at the discontinued Scienceblog Retrospectacle here, where it shared banner duty with one by the science illustration master, Carl Buell.

The support I received early on in my blogging days from both Carl and Shelley has been wonderful, and invaluable. A lot of my current decisions still rest on things I learned from them both.  Thanks, guys!

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under
Creative Commons Licence.

Flying Trilobite Gallery *** Flying Trilobite Reproduction Shop ***

Monday, 9 November 2009

Art Monday: Lights portrait series

This is the series Lights I began for my drawing course at York. Our project was to draw between 5 and 30 heads. The idea and compositions I set for myself are fairly simple. Draw portraits of living biologists, each with a light source on their heads, and incorporating a double helix form.

I've shown Richard Dawkins and Craig Venter before here, and Jane Goodall here. This time I've included Eugenie Scott and Jerry Coyne.

Jerry Coyne.Eugenie Scott.
Jane Goodall.
Craig Venter & Richard Dawkins. (I couldn't resist one of my DNA Candles on Dawkins!)

I think of these more as sketches now. All I can see are their flaws.
-Richard Dawkins needs to be re-done, with his head turned to a three-quarter view.

-I made Craig Venter's face too interesting (though it was by far the most popular with my class.)
-Eugenie Scott's hair looks too dark. I tried to use the books to show education and poise.
-I think I need to re-work all of Jerry Coyne's piece. I like the firefly, kinda. The rendering is too rough.
-Jane Goodall's I am happy with the portrait - very happy - but it's hard to make out the helix-gorilla looking down behind her.


Damn, it was an arrogant thing to sit down and expect myself to polish off decent portraits (of people I admire!) in a couple of weeks, in my spare time. Not sure what I was thinking. It wasn't until the last one that I realized this was kind of a folly.


I'm posting these perhaps as some insight into my thought processes. The York University motto is "The way must be tried."


So, um, there.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.

Flying Trilobite Gallery *** Flying Trilobite Reproduction Shop ***

Monday, 26 October 2009

Art Monday: peek at my Jane Goodall portrait


This drawing is actually larger than my scanner. (Click to enlarge) It's part of the series I am tentatively calling Lights. You can see a photo of J. Craig Venter and Richard Dawkins at this post.

I am trying to tie-in a source of light on each scientist's head, and some sort of double helix shape in the backgrounds. For my second drawing project at York University.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.

Flying Trilobite Gallery *** Flying Trilobite Reproduction Shop ***

Thursday, 22 October 2009

Quick glance: Venter & Dawkins

A quick glance at two of the (hopefully) six portraits I'm doing for my drawing class at York U.

Left, J. Craig Venter, right, Richard Dawkins. Click-y to enlarge-y.
I'm thinking about calling the series, "Lights". I'm planning next to do Jane Goodall, Rosalind Franklin, Eugenie Scott and mmmmaaaybe, Carl Sagan.

Quality is somewhat sacrificed for time, but I suppose they're passable.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.

Flying Trilobite Gallery *** Flying Trilobite Reproduction Shop ***

Saturday, 6 June 2009

Drawing Day!

It's Drawing Day! The goal is to remember how much fun it is to create and view drawings, and to upload a million online in one day!

Today I have two new pieces I'm working on, a recent sketch and one drawing from about a dozen years ago. Click to enlarge. I'm not going to spend a lot of time talking about each one: it's Drawing Day. Enjoy!
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My self-portrait I began this week. Still not done. Do I look intense or angry? A recent drawing for a piece I'm painting on a wood panel. It's a diatom fairy. A sketch for the Introducing Sara Chasm, as seen in the inaugural ART Evolved gallery on ceratopsians. Hmm. Lately I seem to have developed Derek Zoolander's problem of turning left. Not so in this old piece: one of the three fates, from a project on narrative I did while in university.
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Great stuff out there, take the next few days to look around on deviantArt, Redbubble, and more through the Drawing Day site. With so many artists uploading, I'm sure even the strangest subjects are out there.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.
Flying Trilobite Gallery *** Flying Trilobite Reproduction Shop ***
Created for Drawing Day - www.drawingday.org

Friday, 5 June 2009

In the works: self-portrait for Drawing Day

Tomorrow is the second annual Drawing Day, as I discovered a recently. The goal is to see over 1 million drawings be uploaded onto the intertubes to remind people of the fun/magic/horror/whymightymonkeywhy of making marks.

I plan on putting up some pieces that have been sitting around the ol' sketchbooks.

Yesterday I made it a mission to do a self-portrait, and I am almost complete. A perfectly vain and pompous project for my birthday. It is only intended to be in pencil, but looking at it, I think I could make use of my tablet and colourize this one down the road. I downloaded Gimp a while back, the free imaging program, and maybe this would be a worthy experiment.

That black stuff behind the head? Not sure what that is? One friend suggested it's my ego.


Hm. It's missing my freckles. Drawing should be completed tomorrow for Drawing Day!
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.
Flying Trilobite Gallery *** Flying Trilobite Reproduction Shop ***
Created for Drawing Day - www.drawingday.org


Friday, 13 February 2009

Merry Darwin Evening!

Liveblogging a new painting has taught me some things:

-It is possible to tire from the taste of amaretto-flavoured coffee (!)
-Don't start until you have a kick-ass drawing already complete, scans & pain
table prints ready
-Stop reading other Darwin Day posts when trying to paint
-Twitter is all aboot being an amazing tool
-There is no such thing as a small enough brush for an 8.5x11" painting
-As prodigious and exemplary as his work was, even Mr. Darwin must have slept sometimes.

Perhaps I should have simply tinted the drawing in Photoshop and called it a night?


I will soldier on over the weekend, and post a follow-up for Art Monday at the latest. Thanks to everyone for support today and all the entertaining and informative things I never knew about our Charlie.

This ain't done.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.

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Thursday, 12 February 2009

Darwin Day Liveblog 5: deep in the ugly

At this phase, I feel like I can't stand the painting. If I wasn't clocking myself, I'd probably move on to a different piece. Charles is feeling it too: he's aged 20 years since the pencil sketch somehow.

Starting to work on the fossil skull. Maybe flipping on my iPod will help me pull it outta this nosedive by Liveblog 6.

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Darwin Day Liveblog 4: holy yellow batman


The Ugly Phase indeed.
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.
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Darwin Day Liveblog 3: set-up

The painting is underway. I think I'm loving the Gold Ochre Transparent Hue on this one. And plenty of Naples Yellow, naturally.

This is the super-heroic Art S. Buck model in the pose, to try and get the lighting down from an indirect, overhead source in my studio, below.


Here's my set-up, this time on the dining room table. Should be moving along faster now.




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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.
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Darwin Day Liveblog 2

The more refined sketch.

Mr. Darwin's hand extended off the page, so I taped another sheet and kept drawing; it's been cut-off by my scanner.

This should be enough detail to print onto canvas-paper and the painting will begin. The glyptodon doesn't have the scute-y plate on it's head, but I think it works.

I'm aiming for a limited palette, deep shadow, high lighting and a sense of movement. In many ways, a counterpoint to last year's painting of busy contemplation. There should be some more surprises in the final composition that I don't need to to add to the drawing.

I hope everyone is enjoying a nice Darwin Day feast of rhea and armadillo!

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.

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2009 Calendar available for a limited time

Darwin Day Liveblog 1

While doing the dishes last night I hit upon a composition I think works -er, not of Charles Darwin doing the dishes, but my mind wanders with the suds.

It's been a busy month so far of travel and illness, and I'm a little behind. Last year, I was ahead of the game with a drawing I was already quite pleased with, and photographed results every hour, and the painting took three. Drawing is the skeleton and muscle on which the skin of oil paint rests, and it takes time to grow. Painting on a time limit can help me work through the despair I often feel when a piece is in the ugly phases. Let's see what happens today. Forgive me, if today's exercise is not a triumph, but merely a stalemate.

Let's dive in.


Sketch one, above, inspired by suggestions made by Karen James. Perhaps this will become a full-fledged piece, but nautical vessels are not at the moment a strength I've tapped.

Thumbnail sketch, above.

Working out the pose using a super-heroic model for structure and shadow, above.

Early face and pose. Enter...the glyptodont!

Scanning and tweaking to post is taking a bit. I'll forge ahead and be back by 6 pm eastern standard!


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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.
Flying Trilobite Gallery
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Wednesday, 11 February 2009

Tomorrow: liveblogging a portrait

Tomorrow, February 12th is the 200th anniversary of Charles Darwin's birth, and the 150th anniversary of The Origin of Species first publication.

I'm far from the only artist to wish to depict the man whose insight gave the world so much. Make sure you see Chris Zenga's irreverent Darwin-zombie-teddy-bear at The Day After, and Carl Buell's astounding new portrait (as well as a previous beauty here!) I expect we'll be seeing some work from Bond at ReEntry as well.

So in between travel and illness, I've been working on some sketches
of a younger portrait of Darwin, and I plan to live-blog the results every hour. I should get started around 1500h e.s.t., and I'll update this post with an edit for an exact time of the initial layers of paint. The first layers are usually dishearteningly ugly.

'Might be getting linseed oil on the scanner again...

Oh, a peek? Okay.


But this isn't what it will look like.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.

Flying Trilobite Gallery
### Flying Trilobite Reproduction Shop ### 2009 Calendar available for a limited time

Monday, 2 February 2009

Art Monday: young Charles v.1

Darwin Day is fast-approaching, and this year I'd like to focus on a portrait of the younger Charles Darwin. It's one of two ideas I have to commemorate the 200th anniversary of Darwin, and the 150th anniversary of The Origin of Species.

While waiting for a flight to North Carolina, I used George Raymond's famous watercolour of an early-thirties Charles as a reference. This portrait was done after Charles returned from his 5-year voyage on The Beagle, and is usually taken as being representative of how Charles would have appeared in his Beagle days.

I'd like to capture some of that spirit of robust energy in the younger man on the voyage. The type of man who could ride horses around South America, dig up megatherium fossils, brave the rocky Galapagos and hot sun, and see the world with fresh eyes.I began with this sketch while sitting in the airport.

Hmm. A little too jowly, or wide-faced? Muttonchops not muttony enough? I plan to do longer, wind-ruffled hair and a confident smile. I'd also like to give him a bit more hair than the Raymond piece. A lot can happen to a man in five years. My sketch seems to be a long way off of this fine portrait. What do you think on the right track
?

Karen James of The Beagle Project suggested I try to live-blog the painting on Darwin Day. I may attempt that. But the two competing ideas I have may end up being one piece and so I need to prep early. That means sketching and working up to a final drawing.

We'll see. And megatherium may make an appearance this year. *wink*

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.

Flying Trilobite Gallery ### Flying Trilobite Reproduction Shop ### 2009 Calendar available for a limited time

Monday, 19 January 2009

Sunday, 14 September 2008

Artwork Mondays: Of Two Minds banner

In the new year, Shelley Batts formerly of the Scienceblog Retrospectacle prepared to launch a new blog, with the inimitable Steve Higgins of Omni Brain. The new blog is Of Two Minds.

Doing blog banner art is something I immensely enjoy; the collaboration in illustrating someone else's visual voice can lead to unexpected places, and in each instance, I learn more about what I am capable of as an artist.

Since I never posted my "Making of" the Of Two Minds banner, here it is.

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Immediately I began to think about the Thalia/Melopomene tragedy/comedy masks. I whipped off a quick sketch, and played with some colours. At this stage it's all amorphous in my head, like the strange scroll-things on the masks: what're those?


Next, using some photos from their Facebook pages, I found what I needed: a picture of one author looking up, and the other down. I don't often use a projector, but in this case I did just to rough in their facial structures. A drawing like this can take about 20 minutes, being careful not to rock the easel.
Using some other photo references of Shelley and Steve, I polished off the portrait stage. As I've mentioned, using a projector sometimes felt like cheating. But after 20 minutes of using the projector for the rough above, I spent about 2 more hours without the projector finishing the portraits.



I like beginning with a portrait; it feels like a classic, solid foundation on which to start. Since blogs are so personal, it's an appropriate way to illustrate the blog in some instances.

Not wanting to ruin my original drawing, I scanned it into Photoshop, changed the pencil lines to blue, and kept drawing in some more elements to the piece.
Perhaps I should've realised here that the brains were a little lopsided and that this may not work. What I liked about it though, was the idea that our personas are masks, and we all wear a face in front of our brains.

Here's my set up, and the beginning of painting the background. You can see I've once again scanned the image, and changed all the pencil tones to a burnt sienna colour, so it will provide a warmer undertone for the oil paint on top.
I went for an unusual colour combination: orange, green and grey. It's not something the eye sees every day, so I hoped it worked. Here is the painting, as it was scanned before using Photoshop.
Sometimes, the artist just mucks up the paint, despite all the planning and careful drawing. I wasn't happy with the faces, and so using Photoshop, I tinted the original drawings, and overlayed the pencil faces over the painted ones. You can also see an early attempt at the text, with shadows hovering above the blurred Photoshop-extended banner. The brains are removed, giving it a cleaner feel. Scienceblog banners are pretty long and narrow, and the brains were perhaps not as pretty as they should have been.
At this point, I think the faces became a little too far-removed from being masks. Shelley and Steve were concerned. We began discussing something more mask like. It's good to know how far the client would like to push changes, so in the middle of the night, feeling all macabre listening to Juno Reactor and Delerium, I drew this:
Okay, too far. Shelley pitched the idea of going darker, and extending the floating banner to the right, and further into the colour spectrum. I hesitated a bit at the last suggestion: painting a spectrum on black is a sort-of shortcut to being eye-catching. I had to use my brightest paints, including real cadmium red. If you are going to go for it, you gotta go for it.

How to extend an image on a canvas-paper painted to the edge? Simple. One of the amazing things about a technology like Photoshop for even a mainly traditional oil painter like myself, is flexibility.

I pulled out my oil paints, and simply painted the new elements on a new sheet of canvas-paper, and it looked like this: Much better! Using a bit of an emboss tool, I added a gradation-shadow to the faces. The background was digitally painted black, and a bit of the blur and smudge tools helped bring the red and orange paint together - even though in reality they exist on two separate sheets of canvas.

Shelley had an awesome idea for the font, Blackadder ITC. It is based on Guy Fawkes handwriting after three days of torture. Goes nicely with the masks. The masks themselves were re-positioned, and a little clone tool digitally filled in where the real paint was now missing.

The final piece!

Click to enlarge, or better yet, visit Of Two Minds.

Special thanks to Shelley Batts and Steve Higgins, and to Len of Monster by Mail, who shares blog banner duty with yours truly.

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