Guild of Natural Science Illustrators Conference

There's a slew of gorgeous posters created by the talented members of The Guild of Natural Science Illustrators for the upcoming conference in July. Although I have not attended one of these conferences yet, I think the results of these lush, gorgeous and scientifically accurate artists speak for themselves.

If you are a new artist, up-and-coming, or established and need of some new techniques, get yourself to Ithaca and learn from these modern masters.

I often wonder if in a hundred years' time the art world will look back on pieces like these and marvel at their (sometimes) unrecognised value in the face of post-modernist navel-gazing. Their artwork is all the more relevant to anyone amazed by the vanishing biodiversity on our planet.

In particular, check out the work by Heather Ward (the coral reef begins!), Emily Damstra, Gina Mikel, Barry MacKay, and...aw, heck, prepare yourself for beauty and strangeness that only the real world can deliver by going to the Guild's image bank, or check out the links in my blogroll. Grab a coffee and croissant, and spend an hour this weekend marvelling.

And be responsible folks: these images are under copyright, and these folks earn their bread producing images to help scientists, medical professionals, teachers and students understand the world better. Be sure to contact artists about creating illustrations for use before cribbing them off the net!

Tagged!

The Flying Trilobite has been tagged by the tentacled terror of Pharyngula, PZ Myers! After his tremendous entry, I am asked to do likewise. Forgive the lack of images in this post. Here are the rules. Tag was not this complicated when I was eight >grumble<

1. We have to post these rules before we give you the facts.
2. Players start with eight random facts/habits about themselves.
3. People who are tagged need to write their own blog about their eight things and post these rules.
4. At the end of your blog, you need to choose eight people to get tagged and list their names.
5. Don't forget to leave them a comment telling them they're tagged, and to read your blog.

One: Pansy
I have a memory, possibly a false one from age 5.
There was a strip of grass parallel to the road in our neighbourhood, between sidewalk and road. There were saplings planted there, with some pansies. I wasn’t allowed that close to the road, and in a childish moment of defiance I went. I remember plucking a pansy, a deep purple one shot through with black, with a yellow center, and getting in trouble for “killing the flower”. To my mother, the greater crime was being near the road.
I snuck back down. I remember using a leaf and grass and propping up the snapped flower stem, and trying to squish them together to fix it. Guilt and frustration were strong emotions.
Later, I remember being excited because the two parts of the stem had grown back together! There was even a paler green part of the stem, like fresh skin from under a scab. I remember this quite clearly. Is it a false memory conjured by childish guilt when recalling the incident years later? My knowledge of botany and gardening is limited. Did I graft it somehow, making a Frankenpansy?

Two: Transform
I know the moment my childhood ended. At a cottage with my childhood best friend, we were playing with our Transformers. We planned out the whole storyline for our Autobots and Decepticons, right down to the plot twists and Starscream’s treacherous dialogue. We said, right, let’s get to it, and had absolutely no interest in acting it out. Making up the story was more interesting than playing. We both noticed it, and tiredly wondered if we were getting too old. I think I was about 11.

Three: Coffee
Coffee is my life’s blood, my passion, my exalted connection to nature. I love all of it, from the seedy, filthy badness of left-too-long Coffee Time, to the blended-layer flavours of a Le Gourmand americano or Mercury Espresso latte. I feel its hotness go into my belly and I am one with the bean, the oxygen its leaves produced and the loosening of my asthmatic lungs, the earth under my feet and between its roots.

Four: Ring
I have a trilobite set in a ring, given to me by my wife Michelle. It’s an Elrathia kingi. I really feel what I said in my first post; I look at this ancient fossil, and marvel that I can comprehend something so long deceased. It leaves me with a shaking sense of awe. I wear it rarely now, since after 300 million years, it is eroding from my touch.

Five: Performance
My university roommates were a dancer and an actor. A couple of close friends are in increasingly successful bands. I remember remarking to a friend & fellow painter that I wish the artists’ equivalent called for standing ovations, or people jumping up and down and moshing; and lamenting that gallery openings can be too quiet with respect to the actual work. She said to me, “But our art stays. Even if they film it, it’s not the same, and they can’t just look at their work the way we can.” Paintings never stop performing, even when you turn out the lights.

Six: Everything
I desperately want to live a million years and see everything that happens. The rises and falls of humanity, new species, cataclysms, discoveries. My five year old nephew says it best: “I want to know everything in the whole world so I can do whatever I want”. Yes. Exactly.

Seven: Trivial
A couple of hours after the planes crashed and towers fell on 9/11, I had to go to my job at an art supply store. I remember a woman yelling at me that afternoon because we had run out of a particular shade of grey pastel paper. I couldn’t believe it, I didn’t know what to say. Later, I felt pity. She either knew what had transpired south of us and was venting displaced fear and panic, or she had somehow not heard, and would feel some remorse later at her outburst on something so trivial as paper. The tragedy of that day has served as a strong mental reinforcer of the trivial and normally forgettable memory of the exact colour of a paper: felt grey.

Eight: Ugly
My paintings all go through what I call their Ugly Phase, when I hate them and question myself. I use an older technique of layering my oil paintings, gradually refining the detail and blending. I am not as hardcore as the Renaissance masters, I only do maybe three or four, not fifteen. I wait for them to dry before moving to the next layer.
When I was at York University, and completing a painting with a lot of up-close, fibrous acorns hatching hands out of them, our teaching assistant stopped me after I completed the central one. He kept insisting I leave the brown cartoon outlines of the acorns in the background untouched. This, he said as if explaining something new to me, would play with the space, and reveal the juxtaposition of the realistic foreground to the flat background. I patiently replied that yes, I understood the Modernist concept of painting the subject of paint, and I understood the post-Modern concept of showing realism while revealing, Oz-like, the flat paint behind the curtain. I cited examples of artists. I wanted them to be realistic; he insisted. By third year I gave up trying to please the post-Modernists.

Comments on anything above are most welcome. And now for this chain-meme-game to continue, red rover, red rover, I pick...

Fish Feet
Fancy's Art
Frozen Toothpaste
Jesse Graham's Art
Planet Atheism Blog
Diatomaceous Earth
Scientia Natura
The Red Notebook

And please check back at the great stuff the other folks PZ Myers tagged the same time as The Flying Trilobite.