Monday, 31 October 2011
Happy Hallowe'en, everyone!
(Bit of an older image. Hope no one minds...)
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Portfolio
Blog
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--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!
Monday, 24 October 2011
My Grandmother's Favourite Drawing - re-post
(With over 600 posts and almost 5 years of blogging, some days I'll dig through the archives and re-post an older Flying Trilobite post. This one originally appeared in November 2008.)
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This drawing was always my grandmother's favourite piece of my artwork. I drew this back in the early days of university after I had largely stopped drawing vampires and faeries, and as my interest in science had started coming back to the fore. I called it "Beetleman", though I'm not really sure why.
My grandmother loved this one, and I gave her a reproduction of it. I miss my grandparents, and I'll always appreciate how they encouraged me in my artwork. My grandmother would challenge me about what I was trying to do, and pester me with questions, until she'd laugh at my answer once it was clear. My grandfather would not have much commentary about the subjects, instead asking about the media used, and supplying us with astonishing amounts of paper when my sisters and I were small.
Good times.
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Portfolio
Blog
Print Shop
--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!
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This drawing was always my grandmother's favourite piece of my artwork. I drew this back in the early days of university after I had largely stopped drawing vampires and faeries, and as my interest in science had started coming back to the fore. I called it "Beetleman", though I'm not really sure why.
My grandmother loved this one, and I gave her a reproduction of it. I miss my grandparents, and I'll always appreciate how they encouraged me in my artwork. My grandmother would challenge me about what I was trying to do, and pester me with questions, until she'd laugh at my answer once it was clear. My grandfather would not have much commentary about the subjects, instead asking about the media used, and supplying us with astonishing amounts of paper when my sisters and I were small.
Good times.
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Portfolio
Blog
Print Shop
--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!
Saturday, 22 October 2011
Science-Art Geek iPhone 4 cases!
Available now, in my print shop at RedBubble.
Here's some specs from RedBubble themselves:
Uncommon spent months in the desert inventing a revolutionary and top secret printing process called TATT™, which embeds the design into the case—so no fading or peeling, ever. It all sounds a bit space age really, which we quite like.
Our cases were made specifically for the iPhone 4S & 4, ensuring that all of your bits, pieces and functions line up where they should. Plus, Uncommon cases are chosen by Apple for sale in Apple Stores. Seal of approval right there.
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In addition to selling these designs on an ongoing basis, I'm also looking for someone to finance a few as prizes for ScienceOnline12 ! Please email me at theflyingtrilobite at gmail dot com if interested.
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Portfolio
Blog
Print Shop
I hope everyone enjoys my cheesy mirror effect above.
--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!
Thursday, 20 October 2011
Let's have a frank talk about illustration royalties.
This is a conversation I think illustrators should have. My blog allows anonymous comments since I think that will let more of us have it.

My experiences are still few and new in the field of illustration. I come from a science-inspired, fine art background, and since taking my artwork online almost 5 years ago, my fine art projects are usually asked into service illustrating science blogs, books and magazines (and occasionally skin with tattoo design).
The book work up until now has mainly been covers. However, after watching a couple of potential book contracts fall apart, one for a mid-size reputable publisher I will not name, I've been curious about one aspect of the illustration biz: royalties.
The experience I mention called for me to submit my originals, hand over all copyright and get paid a flat fee worth less than equivalent stock art images for my creations. No hope of royalties or re-negotiation if the book was a hit and re-printed.
At the time I was using the Graphic Artists Guild Handbook: Pricing & Ethical Guidelines, 12th Edition (13th is out now). Leaving out the details of the publisher's requirements, according to the Guide I should have been charging about $550 per drawing, and I was offering $300. The publisher wanted to offer $150.
I know there are a lot of specific circumstances to any contract: we parted amicably I hope (they produce a lot of books I enjoy). I thought it was just this case, for whatever reason. After speaking to new illustration acquaintances on G+ over the last several weeks, from many different realms of illustration, I'm hearing that "no royalties" and prices below the GAG Guide are common.
What I wanted to discuss, is without details (I am not out to vilify any publishers here, that's not the point so no need to identify them) are illustrators:
- getting royalties as part of a contract?
- finding the GAG Guide prices accurate reflections of reality?
- being offered more than work-for-hire?
Part of the 'long-tail' of illustration is licensing your own images after the copyright either reverts to you, or by retaining it. The other is royalties.
Let me know approximately how long you've been at the illustration biz, and whether you've found royalties common or uncommon. Again, I allow for anonymous comments and I'd prefer not to discuss specific publishers, just get more of a sense of what's happening out there.
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Portfolio
Blog
Print Shop
--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!
Wednesday, 19 October 2011
What would make good iPhone case art?
RedBubble, the extraordinary company that makes my art prints, cards, calendars, clothing and stickers for my online store has now started making iPhone 4 cases.
So I thought I would ask: what images from glendonmellow.com or my dA Gallery would make good iPhone cases in your opinion? What do you think people would like to be seen carrying? This info will help me ramp up for the holiday push to sell some wares in my online store.
Darwin Took Steps? A pink parasaurolophus? Trilobite Boy? Please comment below if you have an opinion on this!
Also: if anyone is interested in financing a giveaway of a number of cases or other Flying Trilobite swag at ScienceOnline12 in January, let's talk!
Also: if anyone is interested in financing a giveaway of a number of cases or other Flying Trilobite swag at ScienceOnline12 in January, let's talk!
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Tuesday, 18 October 2011
Eight Years
Eight years ago this evening, I married Michelle.


I drew this for our invitation, based on John Atkinson Grimshaw's Iris, my favourite painting, which we saw on our second date.
Victoria College, University of Toronto.

She is my favourite person.
Times have sometimes been challenging but mostly they've been amazing.
We're never at a loss for conversation and I can't take my eyes off of her.
We're never at a loss for conversation and I can't take my eyes off of her.
We still have the best of times...
Even more now that little Mr. Amazing has rolled into our lives.
I love our family. Happy Anniversary.
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