This bombastic post is about the paintings that haven't been rehabilitated. I hope to have some news in the near future, and I am working on a number of projects a the moment. Today, I will shine a light on what happens when they don't work out.
Usually after reading some scientific discovery and musing about it, most ideas pop into my head like a full-blown image. I know what I should do to make it happen, and the idea is laid out in my mind's eye like pages in a book. I'm just copying from my imagination. If there are elements missing, well that's where research takes over, and I look for something appropriate to the subject.
Mother Mars
This oil painting languished unfinished for over a year. The Mother-Nature-on-Mars figure was complete, the sky complete and even the inscription (hard to make out on a blog) of "ALH84001" on the rock.I stretched it myself, and seriously planned on painting over the entire image many, many times. It needed a baby, an egg, something at the start of life. Over and over I painted mermaid's purses, more accurately known as shark's eggs. The night before a gallery show, I frantically painted a huge microorganism complete with a chain of magnetite like they found in the infamous Martian meteorite. I kept stealing glances at it at the show. The painting surprised me. A wasted, dying mother nature and dying microbaby found dignity instead of a coat of black gesso.
Trilobite Graveyard (
detail of headstone)Which trilobitologist hasn't hoped to come across this legendary place? This painting is what unfortunately happens when I haven't thought it all the way through. In 2006 my wife challenged me to give a landscape a try, and I thought of an underwater scene, with yellow light for some reason, and a graveyard of trilobites stretching away into the distance. With well over 10 000 species recorded, this would be a fitting way to show their vast numbers,vast age, and the vast populations gone from our fair Earth.
I just couldn't pull it out of its ugly phase. (And, true to the nature of this post, my camera is broken and I seem to have deleted the photo of the whole image, and have only this detail. Arrgh, I say. )
I thought about anomalocaris prowling above, like predatory caretakers. It would add a mournful tone, for the predators can't outlast their prey for long, and add a sense of mystery as to what happened.
I thought about adding a fetching scuba diver to draw the viewer into the scene. Most people respond easily to an image they know, such as a human. Making it an attractive woman would also garner attention, and elements like long hair floating upward with bubbles would allow me to demonstrate the scene is underwater.
I thought about a monstrous underwater temple with a particularly spiky trilobite on top, off in the murky distance. Perhaps the trilobites were up to something sinister, or represented a vast empire in eldritch Cthulhu-esque prehistoric times?
So instead, this Art Monday, let me direct you to the following spectacular artwork that have themes -successfully!- similar to the Trilobite Graveyard:
various episodes of Walcott's Quarry at eTrilobite for the menacing anomalocarids;
at Druantia Art, an underwater scene in progress that is breathtaking even in unfinished form (buy her calender!);
bold rays of light not afraid to overlay some colour at The Day After;
and the beginnings of Cthulhu's rise at When Pigs Fly Returns.
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All original artwork on The Flying Trilobite Copyright to Glendon Mellow. The contents of this blog are under a Creative Commons Licence. See sidebar for details. Please visit my blog, gallery and reproduction store.
