Pinterest Terms of Service link round-up

After posting recently about Pinterest, I've been involved in a lot of discussion about their Terms of Service.  Here's a quick link primer to some of the discussions I'm involved in and I'm seeing in the science-art blogosphere.

To recap:

Pinterest does a lot of things right: links back to creator's sites, deleted pins get deleted on all subsequent re-pins - these are good things.

Pinterest has some problems: most people pin whatever neato things they find online when the Terms specifically state you must own the image or have permission. So it's built on misuse in many ways. Personally I think more artists should use Creative Commons type attitudes toward this type of sharing. But the point stands that most users violate Pinterest's own Terms of Service.

Pinterest has some Peril: they can "sell" and "otherwise exploit" all content according to their Terms of Service. So if you use it correctly, you're giving away your work which then involves risk assessment.

Read through these links to get the whole picture so far.

Pinterest gets right what Tumblr got wrong - The Flying Trilobite by Glendon Mellow

The Promise and Perils of Pinterest - Symbiartic by Glendon Mellow
-->Discussion on G+
-->Discussion on Scientific American's Facebook Page

Pinterest's Terms of Service, Word by Terrifying Word _Symbiartic by my co-blogger, Kalliopi Monoyios.

ART Evolved is a No-Pin Zone, sadly... -ART Evolved by administrator Craig Dylke. I'm affiliated with ART Evolved but I wasn't involved in this decision beforehand, for the record. Good move though.

*****Edit: It was announced on March 23rd 2012 that Pinterest is indeed dropping the "sell" term in their Terms of Service - as well as making many other changes. Storify below takes place as of time of the original post.

Pinterest updates Terms of Service - drops the "sell" - Symbiartic by Glendon Mellow

For those not on Twitter, after the jump I've included a first attempt at a Storify of some of the comments there.

Allosaurus Science Ink

You know, doing science tattoo designs is an aspect of my current career I never would have guessed I'd be doing 10 years ago. They're challenging and fascinating. Each time I feel really honoured someone would like their body graced by one of my images. 

When author of Written in Stone Brian Switek asked me about designing a tattoo, I was really excited.  Brian's one of my favourite bloggers, both at Wired's Laelaps and the Smithsonian's Dinosaur Tracking, and who I have also been lucky enough to meet at ScienceOnline the past few years.  Great guy. 

Right away, he knew what he wanted: allosaurus in the death pose in blackline. 

I headed to the Royal Ontario Museum, which has an allosaurus mount scurrying under the new signature barosaurus named Gordo.  

I took these photos since they're backlit, and that's helpful for a blackline tattoo, but in the end I didn't reference them.

Instead, even tough it was to be a blackline, silhouette design, I like to start by standing in the museum and drawing a detailed sketch of the skull, hands and feet

While I was drawing this from the original skeleton, Gregory Paul patted me on the head, gave me a doggy treat and said, "Good boy!". Then he whacked my nose with a rolled up newspaper. Yeah, I was confused too. 

I drew the body separately, and Photoshopped the head on. For those not familiar with this pose, most terrestial vertebrates, from dinosaurs to rabbits can be found in this extreme back-arched pose after they die. The thinking is that it's likely ligaments and tissues around the deceased animal's spine tend to dry out first, tightening and contorting the body. 

Above is a screenshot of me inking the skull using ArtRage Studio Pro, my favourite digital painting program.  I found the basic billboard marker gave me the lines I liked.

Brian was getting this tattoo in part to mark a transition: from his home state of New Jersey to Utah, and the allosaurus is Utah's state dinosaur. So as I neared completion of the skeleton drawing, I started thinking about different ways to make this tattoo design more personal to Brian, and not just a random dino fossil.

So I sent him this image below in an email, and asked if he could find the Easter Eggs:

Do you see them?  

The coloured-in portions are in the shape of a tiny New Jersey (green) and Utah (coral).

After looking at a few variations, such as all-black with no outlines, a broken tail, and so on Brian settled on the image above. I like this one too: the solid black ribs, leg and skull are offset by the outlined vertebrae.  I think it breaks up the image in an interesting way, and visually makes the image clearer to someone who may not be familiar with the dinosaur death pose. 

Here's Brian with the finished piece, done by Jon at Heart of Gold Tattoo.

Thanks Brian!  That was really fun and I love how the final version turned out. Badass allosaurus.

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For more of my science tattoo designs, check out the following links:

• Science Tattoo Portfolio
• Hominid Skulls Wearing Mexican Wrestler Masks
• Nautilus Tattoo - Hardcore Ink
• Highest Form of Flattery
• Caffeine Tattoo Commission for Scicurious and Scicurious Caffeine Swag!
• Art Monday: Flying Trilobite Tattoo
  
  As well, two of these designs can be found in Carl Zimmer's new book, Science Ink. 

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Portfolio
Blog
Print Shop 


Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!

Diatom Kiss

Diatom Kiss © Glendon Mellow 2009. Under CCL, see sidebar.

Happy Valentine's Day!

This image is from my series, Fossil Boy, Diatom Girl.



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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Portfolio
Blog
Print Shop 

--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!

Pinterest gets right what Tumblr got wrong

I've started making boards on Pinterest, a fascinating new site that I think is going to be a big thing for artists. 

Attributing artwork is something I believe to of huge importance, not just the letter of the copyright laws, but also attributing art to artists who've dead for hundreds of years. I've written about it *ahem* a few times. (This, this, this, this...)

Here on Blogger, if I want to re-share some artwork, I need to save it to my drive, and re-upload it. There's a bit of work involved. So attributing the art is just a tiny step, and one I think is more likely for bloggers to do since they're crafting a whole post. 

While there are ways to effectively use Tumblr and be respectful of creators, as I've written before, it's easy to lose track of a creator of an image and have it shared and re-shared thousands of time without attribution. The reblog button makes the initial person's mistake too easy to replicate.  In part, I created the Trilobite Boy Tumblr to get a handle on how Tumblr works. You can attach an url that would follow the artwork, but it's not mandatory. So tons of people just blog away, and creators lose all credit for their images all too often. 

Enter the new site Pinterest. 

Pinterest was first on my radar when my wife mentioned it looked interesting for sharing artwork. Then, via Twitter, I read ZDNet's "Why small business can't afford to overlook Pinterest". I maintain a Twitter feed for a national retailer, and thought this was right on the mark. But I like to test things with my own accounts before bringing it to clients. Then, my friend and fantastic artist Eric Orchard started in on it in a big way. He has a good eye for effective media for artists.

Pinterest takes the responsibility of attribution away from the user: I'm using it in Chrome, and I placed a little button on my Bookmarks bar. If I'm on a site, and wish to pin an inspiring piece of artwork onto one of my themed bulletin Boards (say, "science art that inspires me") then I click on the Pin It button, and Pinterest creates a screen that has all the images from that webpage on it. I pick the one I want, click, write a description if I wish, and post on the board. There's the option to tweet or Facebook-stream it too.

But the best part? Anyone else following that bulletin board of mine who decides to pin it on their board, will still have the original link to the original website functional if someone clicks on the art itself. The more artwork is shared on Pinterest, the more potential hits the blog, gallery or website will have.

Pinterest got respect for creators right. And they made it so easy.



You can find my Pinterest at http://pinterest.com/flyingtrilobite

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Portfolio
Blog
Print Shop 

--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!

Merry Darwin Day 2012!

Appropriately enough, I'm working on some scientific illustrations of beetles this Darwin Day. Can't show anyone yet. 

Please enjoy these images of our man Charles from years' past, and make sure to read The Beagle Project's Blog post about Darwin's birthday aboard the H.M.S. Beagle. 

The images below are from 2009, when I attempted to live blog progress from scratch of a new oil painting of a young Charles Darwin discovering a glyptodont skull in South America during the voyage of the Beagle. At the time (you can find all the blog entries in February 2009) I wasn't happy with how the piece was turning out, and the exercise got weird. Still glad I attempted it - it's good to experiment.

If you look at the first sketch, you can see the ghostly sketch of the Beagle masts rising behind our young explorer.

Quick sketch to get the shadows and composition down.

Focused on the face first. Relatively happy with the pencils.

Tinted in Photoshop, I actually like this sketched image better than the final.

My work station. Love those Micron brushes. 

More or less (somewhat less) complete. 

Make sure to check out my online store for Darwin prints, cards and more!  

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Portfolio
Blog
Print Shop 

--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!

ScienceOnline2012 Photos

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This week I'll be continuing to write about ScienceOnline2012, both here and on Symbiartic.  

You can see a few posts already:

New Art Movement? The Science-Artists Feed Keeps Growing

Copyright, Darwin, SOPA and ScienceOnline2012

ScienceOnline2012 Art Show!

ScienceOnline2012 Sci-Art Show Winners

Later in the week I'll be posting about how the sessions went, the art & photo walk, and the impact I think having a bunch of artists in attendance had on a science and science communication unconference. 

For now, some fun photos. 

This year I decided to pack as light as possible for ScienceOnline2012, my fourth time attending. Instead of a regular camera, I brought my iPhone 4. 

Here's a few photos from some of the new friends and familiar faces I met on the trip.  I wasn't nearly thorough enough documenting the experience, and regret missing photos of a ton of people. Like Anton Zuiker for being amazing and helpful; Lisa Grossman for being roomies; Greg Laden for being great dinner company; Brian Malow and Kaitlyn Thaney for letting me prattle on at breakfast about the history of paint pigments; Brian Switek, Karen James, Andy Farke, Southern Fried Scientist and Bluegrass Bluecrab, Lyndell Bade, Kevin Zelnio, Miriam Goldstein, Doc Freeride, Blake Stacey, Scicurious and a whole bunch of others I'll regret forgetting to mention as soon as I hit publish, are all great friends and fascinating people. Thankfully, people like Russ Creech, Jason Goldman and Maggie Pingolt were doing a better job than I documenting. 

Okay. Buncha photos. 

Fanboy moment for me: with Maggie Koerth-Baker of Boing Boing, left, and Annalee Newitx of io9.com, right.
Both of these two have shouted out and shared my work this past year on their popular sites (here and here) and so a bit of their tres coolness has rubbed off on me. 

Michele Banks, aka Artologica and me mugging for the camera.

John Dupuis, the local science blogger I think I see more of when we're both in North Carolina,
with Bora Zivkovic, #scio12 organizer, the Blogfather, and Scientific American Bloggy Bossman. 

A tableau vivant of science artists in their natural habitat: the museum.
My Symbiartic co-blogger Kalliopi Monoyios, Lynn Fellman and Nathaniel Gold.
Under a whale.

Perrin Ireland, Katy Chalmers and Russ Creech, 3 more members of the massive artist cabal at this year's ScienceOnline. 

Me and one of my co-moderators, Emily Bauerfeind of the New England Aquarium. 

Me and co-curator of the science art show, ScienceOnline organizer and MC, Karyn Traphagen. 

More thoughts & photos about the unconference experience soon!



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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Portfolio
Blog
Print Shop 

--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!