Scumble #13

Scumble:

"A painting technique in which semi-opaque or thin opaque colors are loosely brushed over an underpainted area so that patches of the color beneath show through." 

From The Artist's Handbook, by Ray Smith.  

Highlighting recent posts I found interesting, provocative, or otherwise caught my eye from the Science Artists Feed, and other sources. It's getting hard to keep up - there's so much science-based artwork to see!

So, brew yourself a cup of joe, put your feet up and enjoy.


Click here for earlier Scumbles.
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First, a round-up of some posts that came after the science-art session at ScienceOnline in January (many posts took place before!):
ScienceOnline11: Science-Art session now online! - The Flying Trilobite. Watch the session here.

Hear me make word sounds with my mouth and The Science-Art Discussion at ScienceOnline - Love in the Time of the Chasmosaurs.

The Merging of Art and Science As A Communication Tool - The Rogue Neuron

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Now, your regularly scheduled Scumble:


Winehound - Curious Art Lab.

The Year's Best Science and Engineering Visualizations - Science and the Arts.  "To illustrate is to enlighten" - I like that.

Sketchbook - John Hawks Weblog.  A stunning piece by John.  I love it.

Color me beautiful: Wellcome Award Winners - Kat Austen, CultureLab.

Foreleg of a male diving beetle - An Eye for Science

Bloodway Map Infographic - Street Anatomy

Helping Teachers turn Observers into Naturalists - ArtPlantae Today

Drawn series beasts revealed! - A Curious Bestiary.

The Microscopic Landscapes of Bernardo Cesare - Geology in Art.

Video Game Talk - Gurney Journey.

Immaterials: Light painting wi-fi - YZO

Art/Artist + Science/Scientist - drip | david's really interesting pages.

Iris portraits - Suren Manvelyan - Idegensövet Blog

Help out Phylopic and Making silhouettes for Phylopic - Craig Dylke, Art Evolved

Trilobabe - Cancer Fund - FrostDrake. Fans of my Trilobite Boy might enjoy this unrelated creation by artist Becky Gould.

Prelude to Infinity: Cchord - The Episiarch.

Waterbears - Banvivirie. This tardigrade painting by illustrator Rachel Caauwe is dramatic and amazing.

A Sad Brain Cell - Immy. Lots of fun neuron art by this artist.

Barnard's Swordswallower - Abiogenisis.  This fictional creature looks alien, plausible and has an excellent description.

If I had to pick a winning image for this Scumble it would be:
STS-133: Discovery's Final Flight - Coherent Lighthouse. Amazing. Damn, I'm gonna miss the shuttle program.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

under Creative Commons Licence.

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Mother Mars

An older oil painting of mine, embodying the Mother Nature on Mars and the ALH84001 meteorite. (Portions of this post are reposted from May 2008, with new images.) Click to enlarge.

This image appears in my latest calendar. Did you know you can choose which month my calendars start in?
Click here to check calendar collection 3. 

This painting was inspired by the Martian meteorite, ALH84001 and the inscription is carved into the rock in the bottom left.

The figure represents a mythology that never-was, the personification of Mother Nature on the planet Mars, wasted and haunting.

After struggling with a "mermaid's purse" shark egg to represent the false hope of organisms on Mars, I eventually attended a lecture at the University of Toronto where the topic of discussion was the possible discovery of fossil remnants in a meteor that originated on Mars. I learned about the magnetite chains found in the meteor, and watched a video of the cute little microbes whipping this way and that, following a moving magnet. I replaced the shark egg with an enlarged, ruptured microbe immediately.

Until that lecture, this painting sat unfinished and abandoned for over a year, and I was sure I would paint over it. It's something I seldom do, but I really wasn't fond of it. The addition of the magnetite-bearing microbe made all the difference to me.

The face was a sort of riff on the infamous hill-face on Mars, later proved to be simply a low-res, shadowed coincidence. I felt the debunked image lent a certain poignancy to Mother Mars.

Mars is what we make it. Perhaps a future mission will find signs of life in the Martian arctic? If not, it continues to be a planet of hope, and one we invest more myths, ideas and dreams in than any planet other than our own.

Here is one of Phoenix's photos of the Martian arctic:

© NASA

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

under Creative Commons Licence.

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Repost: Gaps in the artistic record

Anthropometry - ©  Glendon Mellow 2010

Occasionally any artist or illustrator will question their direction and portfolio.  Here's a post that originally appeared in March 2009 where I had a look at myself. Has anything changed?

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A brief list of art I'm missing to be considered the following type of artist:

Scientific Illustrator

-Cut away view of fish or of the Earth's crust with little labels

-Skeletal outline for clarity

-Heavily airbrushed, smooth view of pink & blue lungs

-Colourful landscape of organisms that would normally be hiding from each other

Pseudo-scientific Illustrator

-pulsating food morsel/medicine/sport drink going down gridded simplified human body to pulsate stronger in stomach

-simple diagram of human body with labels of animal names or words like "virtue" and "3rd eye"

-elegant watercolours of St. John's Wort and echinacea
-illustration with pyramids and lots of glittery silver

Paleo-Fantasy/SF Illustrator
-Leopard-bikini wearing woman riding mutant theropod with horns
-Innocent waif girl with clunky robot friend
-Herbivore & carnivore dinosaurs looking up in shock at UFO
-Blue shadowy background with PVC-wearing woman carrying two ridiculously huge and complicated guns

Fine Artist
-Object made from my own body or my trash
-Mash-up of multiple impermanent materials: painting on a cake left to go moldy and filmed for YouTube
-Painting "referencing" another artist's work, while allegedly subverting it
-Painting something vague that could be better explained in an op-ed column

Where do I fit, categorically? At ScienceOnline09, [and again for ScienceOnline2011], I used 5 categories about science-art that differ from these.

Art in awe of science sums it up enough.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

under Creative Commons Licence.

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ScienceOnline11 - Science-Art session now online!

The ScienceOnline11 session Science-Art: The Burgeoning Fields of Niche Artwork Aimed at Scientific Disciplines is now online here!  Or you can watch it below.

ScienceOnline encourages an unconference format - no lecture-lecture-lecture-questions here.  Instead, we present some images, some background pose a few questions, and then engage the participants. Comments are appearing on the ScienceOnline site already.  The audio is a bit off the first few seconds and then quickly sounds really clear.

Topics covered include a wide range:

• How do artists online decide when to charge and when to allow use for free?
• The changing face of neandertals with society's sense of liberalism.
• Can art influence research?
• How important is accuracy?
• Why do scientists create art?
• Why do artists engage science?  And more. 

 

Science-Art H264 Widescreen 960x540 from Smartley-Dunn on Vimeo.

I'd like to thank my co-moderators John Hawks and David Orr again for making the session so engaging and insightful, as well as our in-room and online participants.  And especially I'd like to thank the video editors and technicians on hand that day. Bravo Smartley-Dunn.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

under Creative Commons Licence.

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Valentine Card

©  Glendon Mellow

This is the Valentine's Day card I made for Michelle this year.  The bottom image of the bumblebee is from the envelope. It's my first drawing of Calvin, based on the photos from when he was newborn.

My wife is awesome and now we have an awesome baby.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

under Creative Commons Licence. 

Do not reproduce this image, please. Kinda personal, ya know?

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Peer Review Radio: Why Palaeontology?

Recently I was interviewed by Adrian J. Ebsary for Peer Review Radio, out of Ottawa.  It was part of a series of interviews about palaeontology that includes Gary Vecchiarelli, Brian Switek and paleoartist Ron Maslanka - all in one episode.

You can listen to the podcast at Peer Review Radio #16: Why Palaeontology?

There are also more podcast and video interviews with me speaking about art, science, and fossils on my Media page, found at the top of the blog.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

under Creative Commons Licence.

Portfolio

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