Friday, 25 February 2011

Mother Mars

An older oil painting of mine, embodying the Mother Nature on Mars and the ALH84001 meteorite. (Portions of this post are reposted from May 2008, with new images.) Click to enlarge.



This image appears in my latest calendar. Did you know you can choose which month my calendars start in?
Click here to check calendar collection 3





This painting was inspired by the Martian meteorite, ALH84001 and the inscription is carved into the rock in the bottom left.


The figure represents a mythology that never-was, the personification of Mother Nature on the planet Mars, wasted and haunting.



After struggling with a "mermaid's purse" shark egg to represent the false hope of organisms on Mars, I eventually attended a lecture at the University of Toronto where the topic of discussion was the possible discovery of fossil remnants in a meteor that originated on Mars. I learned about the magnetite chains found in the meteor, and watched a video of the cute little microbes whipping this way and that, following a moving magnet. I replaced the shark egg with an enlarged, ruptured microbe immediately.



Until that lecture, this painting sat unfinished and abandoned for over a year, and I was sure I would paint over it. It's something I seldom do, but I really wasn't fond of it. The addition of the magnetite-bearing microbe made all the difference to me.



The face was a sort of riff on the infamous hill-face on Mars, later proved to be simply a low-res, shadowed coincidence. I felt the debunked image lent a certain poignancy to Mother Mars.



Mars is what we make it. Perhaps a future mission will find signs of life in the Martian arctic? If not, it continues to be a planet of hope, and one we invest more myths, ideas and dreams in than any planet other than our own.



Here is one of Phoenix's photos of the Martian arctic:


© NASA

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

Wednesday, 23 February 2011

Repost: Gaps in the artistic record


Anthropometry - ©  Glendon Mellow 2010
Occasionally any artist or illustrator will question their direction and portfolio.  Here's a post that originally appeared in March 2009 where I had a look at myself. Has anything changed?

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A brief list of art I'm missing to be considered the following type of artist:

Scientific Illustrator
-Cut away view of fish or of the Earth's crust with little labels
-Skeletal outline for clarity
-Heavily airbrushed, smooth view of pink & blue lungs
-Colourful landscape of organisms that would normally be hiding from each other

Pseudo-scientific Illustrator
-pulsating food morsel/medicine/sport drink going down gridded simplified human body to pulsate stronger in stomach
-simple diagram of human body with labels of animal names or words like "virtue" and "3rd eye"
-elegant watercolours of St. John's Wort and echinacea
-illustration with pyramids and lots of glittery silver

Paleo-Fantasy/SF Illustrator
-Leopard-bikini wearing woman riding mutant theropod with horns
-Innocent waif girl with clunky robot friend
-Herbivore & carnivore dinosaurs looking up in shock at UFO
-Blue shadowy background with PVC-wearing woman carrying two ridiculously huge and complicated guns

Fine Artist
-Object made from my own body or my trash
-Mash-up of multiple impermanent materials: painting on a cake left to go moldy and filmed for YouTube
-Painting "referencing" another artist's work, while allegedly subverting it
-Painting something vague that could be better explained in an op-ed column

Where do I fit, categorically? At ScienceOnline09, [and again for ScienceOnline2011], I used 5 categories about science-art that differ from these.

Art in awe of science sums it up enough.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

Friday, 18 February 2011

ScienceOnline11 - Science-Art session now online!



The ScienceOnline11 session Science-Art: The Burgeoning Fields of Niche Artwork Aimed at Scientific Disciplines is now online here!  Or you can watch it below.

ScienceOnline encourages an unconference format - no lecture-lecture-lecture-questions here.  Instead, we present some images, some background pose a few questions, and then engage the participants. Comments are appearing on the ScienceOnline site already.  The audio is a bit off the first few seconds and then quickly sounds really clear.

Topics covered include a wide range:
  • How do artists online decide when to charge and when to allow use for free?
  • The changing face of neandertals with society's sense of liberalism.
  • Can art influence research?
  • How important is accuracy?
  • Why do scientists create art?
  • Why do artists engage science?  And more. 


 




Science-Art H264 Widescreen 960x540 from Smartley-Dunn on Vimeo.




I'd like to thank my co-moderators John Hawks and David Orr again for making the session so engaging and insightful, as well as our in-room and online participants.  And especially I'd like to thank the video editors and technicians on hand that day. Bravo Smartley-Dunn.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

Thursday, 17 February 2011

Valentine Card

©  Glendon Mellow

This is the Valentine's Day card I made for Michelle this year.  The bottom image of the bumblebee is from the envelope. It's my first drawing of Calvin, based on the photos from when he was newborn.

My wife is awesome and now we have an awesome baby.


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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
Do not reproduce this image, please. Kinda personal, ya know?

Tuesday, 15 February 2011

Peer Review Radio: Why Palaeontology?

Recently I was interviewed by Adrian J. Ebsary for Peer Review Radio, out of Ottawa.  It was part of a series of interviews about palaeontology that includes Gary Vecchiarelli, Brian Switek and paleoartist Ron Maslanka - all in one episode.

You can listen to the podcast at Peer Review Radio #16: Why Palaeontology?

There are also more podcast and video interviews with me speaking about art, science, and fossils on my Media page, found at the top of the blog.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

Monday, 14 February 2011

Darwin Day contest winner!

Sorry, I'm a day late picking the winner. Too many good entries!  I changed my mind 3 times. 


©  Glendon Mellow 2008 oil on canvas paper


"Preconceptions dropped away / As he stood atop Bartolome. / For Darwin, a glimpse of nature's plan: / Ascent of stairs, Descent of Man."

Congratulations Elissa!  Contact me by email or FB or Twitter, and send me your mailing address! I'll get that print in the mail for tomorrow. 

For all of you who participated, thank you.  Some of my other favourites were by Adrian, coturnix, soniah, Joseph and Arvind. I loved the imagery by everyone about standing on giant's shoulders (appropriate with the little stairs - never thought of it that way before) and the humour in so many entries. Tommy's Lady Gaga comment was great on Grammy night. 

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Don't forget you can pick up Darwin Took Steps prints, framed prints, stickers, shirts, greeting cards and potcards in my online store.  A portion of the profits goes to support The Beagle Project.  

And don't miss this post by Karen James of The Beagle Project on Scientific American's Guest Blog

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

Print Shop

This contest is purely for entertainment purposes and fun.  I won't be held liable for sciencey-artsy fun under any circumstances.
The winner's print will not originate from my online store: I will make it in my studio on museum-grade paper with standard inkjet ink. 
Copyright © 2007, 2008, 2009, 2010, 2011, 2012, 2013 Glendon Mellow. All rights reserved. See Creative Commons Licence above in the sidebar for details.