Currently, I'm the webmaster for the Southern Ontario Nature & Science Illustrators' new website. ("Website manager" doesn't sounds as cool as "Webmaster" - try saying Webmaster like Darth Sidious: Weheb-mahstuh)
We're using Wordpress, which is interesting since some of the functionality is laid out so differently from Blogger. Lots to do, members to add, news to catch up on. Banner isn't quite finished yet either. We're a new group, started by scientific illustrator Emily Damstra.
I can start to appreciate the work Craig Dylke put into Art Evolved's start-up!
It's likely I'll post updates from time to time about SONSI events. The diversity and quality of the artists, illustrators and photographers is quite amazing, so check it out! You may want to add it to your Reader, or follow our RSS feed.
sonsi.ca
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Flying Trilobite Gallery *** Flying Trilobite Reproduction Shop ***
Saturday, 17 April 2010
Monday, 12 April 2010
Art Monday: Beetleman
Beetleman
Pencil on paper, around 1996, I think, despite that watermark.
This was my late grandmother's favourite drawing. Yeah, she was a fun person.
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Flying Trilobite Gallery *** Flying Trilobite Reproduction Shop ***
Saturday, 10 April 2010
New objects gallery on glendonmellow.com
I've begun adding a new gallery to my main site, Glendon Mellow: Art in Awe of Science.
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Flying Trilobite Gallery *** Flying Trilobite Reproduction Shop ***
Friday, 9 April 2010
Medium overriding the message?
When presenting the final project of my undergrad here on The Flying Trilobite, (see the process here: one, two, three, four and five) some excellent points have been raised in the comments of the last post.
My Art Evolved peeps Craig and Peter have been discussing whether or not unconventional mediums (like a wooden cube with busted slate tiles painted and hanging from wire) end up muddying the message more than conventional, easier to read forms.
Here are a couple of more photos, different from the the last post in that they show off the individual paintings more:
Click to enlarge.
This picture was taken on a weird angle. Sorry.
It was an interesting experience for me to have some of my artwork turn off someone for being post-modern and medium-focused. Typically, I am a painter in love with creating representational, realistic paintings.As Craig pointed out, the medium is the message. We see here not only a 3D series of paintings hanging in a cube, we see them through the lens of a camera and displayed on a computer screen. It's very removed from say, Darwin Took Steps, a much more 2D picture which translates better through scanning and being online.
How much can the presentation enhance or interfere? Would video of a 3D object present better online, panning, zooming and with soft techno music in the background? Would it be clearer to scan individual pieces and present them as head-on photos?
Is this presentation in the immortal words of Mo the bartender, "po-mo; postmodern; weird for the sake of weird" or is something more getting across?
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Flying Trilobite Gallery *** Flying Trilobite Reproduction Shop ***
Next time on The Flying Trilobite: my interpretive dance fossil project!
Wednesday, 7 April 2010
Monday, 5 April 2010
Art Monday: Hyperferrule
Hyperferrule
Pencil in my Moleskine, 2007.
A steampunk-inspired painting device; obviously it needs the latest in Linux hand-eye shareware.
Originally appeared on this post.
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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.
Flying Trilobite Gallery *** Flying Trilobite Reproduction Shop ***
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