Friday, 13 February 2009

Merry Darwin Evening!

Liveblogging a new painting has taught me some things:

-It is possible to tire from the taste of amaretto-flavoured coffee (!)
-Don't start until you have a kick-ass drawing already complete, scans & pain
table prints ready
-Stop reading other Darwin Day posts when trying to paint
-Twitter is all aboot being an amazing tool
-There is no such thing as a small enough brush for an 8.5x11" painting
-As prodigious and exemplary as his work was, even Mr. Darwin must have slept sometimes.

Perhaps I should have simply tinted the drawing in Photoshop and called it a night?


I will soldier on over the weekend, and post a follow-up for Art Monday at the latest. Thanks to everyone for support today and all the entertaining and informative things I never knew about our Charlie.

This ain't done.

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Thursday, 12 February 2009

Darwin Day Liveblog 5: deep in the ugly

At this phase, I feel like I can't stand the painting. If I wasn't clocking myself, I'd probably move on to a different piece. Charles is feeling it too: he's aged 20 years since the pencil sketch somehow.

Starting to work on the fossil skull. Maybe flipping on my iPod will help me pull it outta this nosedive by Liveblog 6.

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Darwin Day Liveblog 4: holy yellow batman


The Ugly Phase indeed.
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Darwin Day Liveblog 3: set-up

The painting is underway. I think I'm loving the Gold Ochre Transparent Hue on this one. And plenty of Naples Yellow, naturally.

This is the super-heroic Art S. Buck model in the pose, to try and get the lighting down from an indirect, overhead source in my studio, below.


Here's my set-up, this time on the dining room table. Should be moving along faster now.




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Darwin Day Liveblog 2

The more refined sketch.

Mr. Darwin's hand extended off the page, so I taped another sheet and kept drawing; it's been cut-off by my scanner.

This should be enough detail to print onto canvas-paper and the painting will begin. The glyptodon doesn't have the scute-y plate on it's head, but I think it works.

I'm aiming for a limited palette, deep shadow, high lighting and a sense of movement. In many ways, a counterpoint to last year's painting of busy contemplation. There should be some more surprises in the final composition that I don't need to to add to the drawing.

I hope everyone is enjoying a nice Darwin Day feast of rhea and armadillo!

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Darwin Day Liveblog 1

While doing the dishes last night I hit upon a composition I think works -er, not of Charles Darwin doing the dishes, but my mind wanders with the suds.

It's been a busy month so far of travel and illness, and I'm a little behind. Last year, I was ahead of the game with a drawing I was already quite pleased with, and photographed results every hour, and the painting took three. Drawing is the skeleton and muscle on which the skin of oil paint rests, and it takes time to grow. Painting on a time limit can help me work through the despair I often feel when a piece is in the ugly phases. Let's see what happens today. Forgive me, if today's exercise is not a triumph, but merely a stalemate.

Let's dive in.


Sketch one, above, inspired by suggestions made by Karen James. Perhaps this will become a full-fledged piece, but nautical vessels are not at the moment a strength I've tapped.

Thumbnail sketch, above.

Working out the pose using a super-heroic model for structure and shadow, above.

Early face and pose. Enter...the glyptodont!

Scanning and tweaking to post is taking a bit. I'll forge ahead and be back by 6 pm eastern standard!


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