Knowledge Pupates [wip]

Lately I need a warm-up to get back into my commissions, so I've been spending a few minutes here and there with this old drawing, re-painting it with ArtRage. I think the pencils are about 15 years old.

It might appear on Symbiartic in its final form. 

The ebook I have planned will likely be this style, or something close to it. Pieces like this help me think about it.

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Sketches Better Than Paintings

Sometimes I wonder if the sketches look better than the paintings. 

Trilobite Boy with Gargoyles - sketch.

Trilobite Boy with Gargoyles - complete. 

There's something about the scratchiness of it I don't usually retain in the finished pieces. That's why I think I'm enjoying drawing and then placing the original drawing over the digital painting on a multiply layer. I'm catching the scratchiness a bit better. 

Avimimus - pencil drawing.

Avimimus - painted using the Sketch Club app on my iPhone. 

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Latest Fashion From Paris

Coloured this pencil sketch using the Sketch Club app on my iPhone. The original is owned by Morgan Jackson of Biodiversity in Focus.

We're having a light family day at home after staying up late with good friends to ring in the New Year.

I'm going to try posting quick sketches more often. 2012 was my lightest year of blogging here on The Flying Trilobite, though not of blogging in general considering my posts on Symbiartic.

Last year was fantastic and I did some of the most important illustration artwork I've ever had the opportunities for to date.

Can't wait to see what 2013 brings.

Arthropod Meeting

Sometimes I forget just how useful warm-up sketches and painting can be. Enjoying taking old pencil sketches and digitally watercolour painting them with ArtRage to get my engine running for commissioned projects. 

I tend to build up a lot of neurotic "all conditions must be perfect in life, studio and mindset" hang-ups before I get started on things. It's good to visually slap myself out of it by working on pieces like this that are already decent drawings, and just play loose with the colour. 

I like this enough I made prints available in my store. - - - - - - - -

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Two-Headed Mutant Ammonite

© Glendon Mellow

I mentioned on Twitter I was drawing a two-headed mutant ammonite. 
Here's the discussion. 

. @flyingtrilobite's tweet makes me wonder: are there any fossils of two-headed animals?

— Ed Yong(@edyong209) August 29, 2012

@edyong209 @flyingtrilobite Yep. A two-headed reptile hatchling:news.nationalgeographic.com/news/2006/12/0…

— Mary Beth Griggs (@MaryBethGriggs) August 29, 2012

I LOVE SCIENCE AND TWITTER AND THE WORLD RT @marybethgriggs: @flyingtrilobite Yep. A two-headed reptile hatchling:bit.ly/RmKx5s

— Ed Yong(@edyong209) August 29, 2012

@edyong209 See rsbl.royalsocietypublishing.org/content/3/1/81… in Biology Letters - 2-headed champsosaur from China's Cretaceous

— Andrew A. Farke (@AndyFarke) August 29, 2012

@edyong209 If you believe in yourself, one day *you* might be a two-headed fossil, Ed. Make your own dreams come true.

— Glendon Mellow (@flyingtrilobite) August 29, 2012

@edyong209 @flyingtrilobite SHUT UP AND TAKE MY MONEY.

— Brian George (@brianggeorge) August 29, 2012

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Beetle Week Day 1: The Challenge of Scientific Illustration

Welcome to Day 1 of Beetle Week on The Flying Trilobite!

Earlier this year, I was commissioned by entomologist and insect photographer Morgan Jackson of Biodiversity in Focus to contribute to a soon-to-be-published dead-tree book. The result?  My first series of scientific illustrations, instead of the off-kilter, surreal scientific illustrations I'm known for. Today: The Challenge of Scientific Illustration.

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I've been painting for a couple of decades, and blogging my artwork for over 5 years. One of the joys of this career is that there's always more to learn, more challenges, more surprises.

When Morgan Jackson first approached me about contributing 7 Ontario jewel beetle illustrations for an upcoming publications he and researchers at the University of Guelph are working on, I was excited about the idea and also a little intimidated. 

Although I sometimes head to the Royal Ontario Museum to work on realistic drawings of fossil skulls, they are mainly exercises for myself, and not overseen by researcher in the field. I assume they do add a little to my professional street cred since this blog is frequented by paleontologists and paleo-art fans. Morgan's request was different. These needed to be spot-on scientific illustrations, useful for the purpose of identifying some of Ontario's diverse species.

So, I did what I usually do when trying to depict a new subject: got out my Strathmore Bristol paper and trusty .3mm mechanical pencil and started to draw in high detail. The project called for 7 species, and I decided to start in alphabetical order, with Agrilaxia.

Agrilaxia drawing, © Glendon Mellow

As I mentioned above, Morgan is an amazing nature photographer (seriously. Check this out. Or this.) Though I wasn't able to visit his lab, he provided me with stunning dorsal, ventral, side and genitalia(!) views of the beetles to illustrate.

And after scanning the drawing above, and opening up my favourite digital painting program, ArtRage Studio Pro, that's when I got cold feet. I mean, how realistic does the painting need to be?  You can zoom almost an infinite amount in a digital painting, and the high-res macro photos Morgan zipped and sent to me allowed a huge level of detail.

As I was zoomed in, I starting getting that creep of imposter syndrome. How could I possibly match a photo with a painting?

A cup of coffee later, and I started to relax. Morgan and his team were looking for scientific illustrations, for paintings, and I know he's viewed my portfolio. Making everything super-hyper-photo real wasn't the goal. I hoped.

I settled in and began to paint.

Screenshot of painting Agrilaxia in ArtRage Studio Pro, with Morgan Jackson's photo references on the left.

I'll say more about the process of painting with ArtRage tomorrow.  It's enough to say I employed a wide variety of that robust program's painting tools, and started to enjoy myself. I emailed some in process shots of Agrilaxia to Morgan, and to a couple of artists who's opinions and discretion I could trust.  I can count on them to keep me honest, and the reactions were positive.

Part way through the process of painting the beetles, I recall Morgan letting me know some of the other researchers were getting accustomed to my art style, or some words to that effect. Important feedback that sends me into a hyperactive state of focus, trying to ramp up my accuracy and tighten up the work.

Accurate enough? Final, almost full-res version of Agrilaxia. © Glendon Mellow

It was a lesson for me as an illustrator, and also one for researchers considering hiring an illustrator. Chances are, if you are not going with photography, there will always be a little of the artist's style - the movement of their hand, the colour associations in their eye - that is inherent in the final  illustration. It's the sum of the illustrator's experiences up to that point in their career coupled with doing something new.

That said, being a scientific illustrator carries the responsibility of taming style in the service of the twin aspects of accuracy and clarity.

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Stay tuned for the rest of Beetle Week! 

• Day 1: The Challenge of Scientific Illustration
• Day 2: Painting Bugs with ArtRage Studio Pro
• Day 3: Being a Freelancing Dad
• Day 4: Animated Painting of Trachys
• Day 5: The Exhibit

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Incredible Hulk Anatomy

(This post originally appeared yesterday on Symbiartic, the art+science blog I co-author on the Scientific American Blog Network.)
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Like millions of other superhero comic fans, I loved Joss Whedon's & Marvel's The Avengers when I saw it (in 2D) opening weekend. Motion-captured Mark Ruffalo turned in the most incredible version of the Hulk we've seen yet on the screen.  Squeeing and cheering, it reminded me of a drawing I had made back  in 2002.  I drew this fan art of Marvel Comics' Incredible Hulk, dissected and analyzed. Here it is with a new lick of paint. 

Hulk © Marvel Comics. This fan art has moral © Glendon Mellow. Feel free to share under Creative Commons.

At the time, I tried to draw on not only my mother's nursing school anatomy textbooks, but also gorilla and hominid ancestor skulls (such as Paranthropus, though my murky text  identitifies it with the outdated Zinjanthropus name), inspiration for things like the cranial ridge and large jaw muscles. I included details such as 3 scars on the bone (I'm Canadian: Wolverine wrecked his face a few times and I wanted to document that) and perfect glowing teeth. If anyone has perfect shiny teeth, it needs to be Hulk.

The science and geekery site io9.com recently listed 10 Science Concepts that Could Spawn Awesome Supervillains (by Esther Ingliss-Arkell). Established characters borne of exaggerated real world scientific causes could probably use science-inspired revisions too.  Can't wait to get my hands on The Art of Marvels The Avengers to see what scientific concepts the pros who designed the movie concept art came up with.


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As a bonus not featured on Symbiartic, here's what the labels around ol' Jade Jaws' head say.
TOP LEFT

• The Hulk Reviewed
• Points of interest concerning the osteological and muscular systems. 

TOP LEFT: The Skull

• Note muscle-anchoring protuberances and ridges not found in average frontal and zygomatic bones. 
• Enlarged and bifurcated nasal cavities; see Appendix 3.1 for discussion and speculation of respiratory efficiency. See also; ribcage and spinal cord sinuses. 
• Note disproportion of maxilla to mandible. 

TOP RIGHT: The Skull

• Grossly enlarged frontal fontanelle, similarity to Zinjanthropus found in 1959. 
• Three scars unhealed grazing left ocular cavity; unusually, no traces of foreign molecules present. 
• Connective tissue spurs above eyeteeth at gumline. 
• Note complete absence of tooth decay or erosion. 
• Analysis of blood vessel to marrow ratios reveals skeletal system itself surprisingly fragile relative to comparisons with muscle and tissue tensile densities. 

BOTTOM RIGHT: Musculature

• Layers of cartilage and dense marrow-like tumours surround blood vessels; protecting both vessels and braincase simultaneously. 
• Jaw muscles extend to skull ridge homologous to gorilla. 
• Note muscles allowing subject to shut nostrils: unheard of in primates. This trait normally found in desert-dwelling ungulates such as dromedary camel. 
• Jaw may lock while mandible is at any degree of extension. 
• Elasticity of muscle tissues allows striations and contractions on 4-axis per muscle. Eyes and mouth can close using enormous, continuous pressure. 

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Above image done in pencil and painted in ArtRage Studio Pro. The Incredible Hulk is © Marvel Comics and I did this piece of fan art without permission but with respect.  I claim only a moral copyright to this specific rendition of their character.

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Hybrid Flying Trilobite

Recent sketch in my Moleskine.

Diatom Kiss

Diatom Kiss © Glendon Mellow 2009. Under CCL, see sidebar.

Happy Valentine's Day!

This image is from my series, Fossil Boy, Diatom Girl.



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Red Knot in Flight

While I'm working on a series of scientific illustrations I can't reveal yet, I thought I'd re-post this pencil (and the oils below) of a red knot in flight.  

Originally created for biologist and conservationist Dan Rhoads' excellent and vital Migrations blog, you can read more about it at his site, and my two-part making-of, here and here. 

Dan fights the good fight to save birds from the heinous hunting practices of migratory birds in his adopted home of Cyprus. You can sign the petition to stop the practice here.  

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Are the wings clipped on The Flying Trilobite?

Are the wings clipped on The Flying Trilobite? 

A couple of weeks ago, I made the jump to using Blogger's Dynamic Views here on The Flying Trilobite. 

After receiving a heartfelt complaint from a friend and colleague about the site re-design, I thought I'd ask:

• Does it work aesthetically?  
• For those familiar with it, was it better before with the simpler template? 
• Is it crashing every time you try to load it? 
• Are the individual posts functioning? 
• Are they too hard to read (if you follow a link to a single post, the banner stays affixed in place and takes up half the screen - which doesn't happen if you click on one from the main page)?

Gadgets in the sidebar apparently will be coming back, so I'm not too concerned with those.

Would love any and all feedback. 

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My Grandmother's Favourite Drawing - re-post

(With over 600 posts and almost 5 years of blogging, some days I'll dig through the archives and re-post an older Flying Trilobite post. This one originally appeared in November 2008.)
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This drawing was always my grandmother's favourite piece of my artwork. I drew this back in the early days of university after I had largely stopped drawing vampires and faeries, and as my interest in science had started coming back to the fore. I called it "Beetleman", though I'm not really sure why.

My grandmother loved this one, and I gave her a reproduction of it. I miss my grandparents, and I'll always appreciate how they encouraged me in my artwork. My grandmother would challenge me about what I was trying to do, and pester me with questions, until she'd laugh at my answer once it was clear. My grandfather would not have much commentary about the subjects, instead asking about the media used, and supplying us with astonishing amounts of paper when my sisters and I were small.

Good times.

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A Robot Out for a Stroll

A robot out for a stroll. 

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Beware of Explodey Anklyosaurs

Beware of explodey pineapple anklyosaurs.

Sometimes they travel far distances before kabooming.

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This post marks the return of Art Mondays on The Flying Trilobite! My posting has been a bit sporadic lately, so I think I'll return to this discipline that I held for a few years on the blog.  At the very least, expect new art and art commentary each Monday.

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Latest Fashion from Paris

Stylish, non?

For more about making insects stylish and yummy, check out this Symbiartic post by Kalliopi Monoyios.

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Lookee here--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!

The Fish Stands for Surrealism

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Avimimus sketch

Had some fun with textures and feathers on this Avimimus sketch earlier in the summer.

Thought I'd post it now, since there's an interesting discussion started by Craig Dylke over at ART Evolved about dinosaur feathers and accuracy in science art and film.

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Royal Canadian Flying Trilobite

Royal Canadian Flying Trilobite.

Circa WWI. There have been tremendous advancements since then of course.


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Hominid Skulls wearing Mexican Wrestling Masks

Not every art project for a client sees the light of day. Here's an example from a few years ago.   
(I retained the copyright on the images even if the contract had gone through: in this case, I was never paid so I'm quite sure there's no conflict, and it's fair game to post these.)
The client had asked for a challenging tattoo design.

Up to you to judge whether or not these fit the bill. The concept was three different hominid skulls, each wearing Mexican Luchador wrestling masks. In black line: no colour, no grey scale. See?  Challenging. How do you bring out the masks on very specific human ancestral skulls without colour?I got started by working on the hominid skulls and on the layout. Homo sapiens sapiens, Homo erectus tautavelensis and Australopithicus afarensis.

Deciding the layout of the three skulls.

Originally, I drew the concept in reverse by mistake;
three masks that look  like hominid skulls. 

I played with the drawing in Photoshop to get a different view of a "messier" ink style.

Now the challenge of overlaying cloth onto skulls,
and making the bold cartoon outlines found on Luchador masks.

Final submitted image. The Australopithecus on the bottom is wearing a half-mask.

There were more drawings than these few; I like to keep clients informed when working on a project and it's especially important for the personal work involved in tattoos. Ultimately, the project was never fully realized. But what do you think of the last image?  Does it read as hominid skulls wearing Luchador masks?

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 Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.

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Fossil Boy, Diatom Girl - repost

(This week I'm reposting some of the posts from the past 4 years I consider noteworthy.  Wednesday, "Inspiration and Drugs". Thursday, "Science Vocabulary = Better Art".  Today, here is a post from December 2009.)
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Our final project for my Drawing & Narrative class was more or less open. I decided to continue exploring ammonite fossils, hands, and some diatoms. 

For a long time, I've used diatoms along with images of my wife, Michelle. Diatoms are beautiful algae that create complicated geometric structures from silica, and look like beautiful glass ornaments. They help create oxygen, which is a nice thing for an asthmatic like me to associate with my wife in a metaphorical life-sustaining way. The fossils are kind of a proxy for me. Part of the suggested outline for the assignment included making a book, and images of family. 

Three of the most difficult things to draw are the face, hands, and feet. (Foreshortening is a whole other problem.) I love drawing hands, so I looked at this as a challenge. I decided I would add some torn paper elements as well. While working on my rough sketches, our professor suggested including some elements with the Fibonacci sequence, and looking up artists Mario Merz. I've done some sketches using Fibonacci numbers before, when I was working onDan Rhoads' Migrations blog banner. I tried to use it as a compositional device.

Almost in its entirety, (a snippet is lopped off from the edges), here are the drawings from the series Fossil Boy, Diatom Girl.

- - - - - - - - Original artwork on The Flying Trilobite Copyright to Glendon Mellow
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